Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 77Gale Research Company, 1984 |
Im Buch
Ergebnisse 1-3 von 99
Seite 1
... Comedy of Errors. For further information on the critical and stage history of The Comedy of Errors , see SC , Volumes 1 , 26 , 34 , 54 , and 66 . INTRODUCTION The Comedy of Errors ( c . 1594 ) , Shakespeare's shortest play and regarded ...
... Comedy of Errors. For further information on the critical and stage history of The Comedy of Errors , see SC , Volumes 1 , 26 , 34 , 54 , and 66 . INTRODUCTION The Comedy of Errors ( c . 1594 ) , Shakespeare's shortest play and regarded ...
Seite 2
... Comedy of Errors . Contending that the play should not be dismissed as simple farce , MacCary analyzes the dynamics of family romance at work in the drama and its broad thematic dimension as a " narcissistic comedy or egocentric comedy ...
... Comedy of Errors . Contending that the play should not be dismissed as simple farce , MacCary analyzes the dynamics of family romance at work in the drama and its broad thematic dimension as a " narcissistic comedy or egocentric comedy ...
Seite 96
... Comedy and the open - endedness of the ending , since both Adriana and E. Antipholus remain silent . ' Problem ' , pp . 235-236 . See also Alexander Leggatt , Shake ... COMEDY OF ERRORS SHAKESPEAREAN CRITICISM , Vol . 77 Further Reading.
... Comedy and the open - endedness of the ending , since both Adriana and E. Antipholus remain silent . ' Problem ' , pp . 235-236 . See also Alexander Leggatt , Shake ... COMEDY OF ERRORS SHAKESPEAREAN CRITICISM , Vol . 77 Further Reading.
Inhalt
Character Studies | 29 |
Production Reviews | 43 |
Further Reading | 96 |
Urheberrecht | |
12 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
actors Adriana amity Antipholus Antipholus of Ephesus Antipholus of Syracuse Antonio argues Armado audience Bassanio becomes Berowne Bianca Branagh centaur characters Christian Comedy of Errors comic context conventions court critics Daniel divinity dramatic dream Dromio Duke early modern Egeon Elizabethan English Ephesians Ephesus essay farce father female final friendship Gentlemen of Verona hath husband identity Jessica Jewish Kate Kate's Katherina King ladies language London lord Love's Labour's Lost lovers Lucentio Luciana male marriage master Menaechmi ment Merchant of Venice Midsummer Night's Dream musical narrative nature Petruchio Plautine Plautus play's playwright plot Portia production Renaissance role romantic scene seems sense servant sexual Shake Shakespeare Shakespearean Comedy Shrew Shylock social songs speare's speech stage story suggests suitors Taming theater theatrical theme thou tion tradition twins usurer usury wife William Shakespeare wives woman women wooing words York