Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 77Gale Research Company, 1984 |
Im Buch
Ergebnisse 1-3 von 87
Seite 187
... Christian values . " In Marlowe , the modern world has arrived . Christian values appear only sporadically , and even then mostly in the hypocritical posturing of unscrupulous statesmen and clergymen . Shakespeare still entertains the ...
... Christian values . " In Marlowe , the modern world has arrived . Christian values appear only sporadically , and even then mostly in the hypocritical posturing of unscrupulous statesmen and clergymen . Shakespeare still entertains the ...
Seite 188
... Christian acquaintan- ces - no small virtue in Venice . Although some critics argue that Antonio exploits his virtue to manipulate Bassanio , to most commentators Antonio is an exemplary friend . He is loved and revered by all the ...
... Christian acquaintan- ces - no small virtue in Venice . Although some critics argue that Antonio exploits his virtue to manipulate Bassanio , to most commentators Antonio is an exemplary friend . He is loved and revered by all the ...
Seite 189
... Christian merchant . " He engages Shylock so intensely because he needs to define himself as the antithesis of the Jew , to see himself as a merchant and not a usurer , for a usurer obviously cannot be a true Christian . But it is not ...
... Christian merchant . " He engages Shylock so intensely because he needs to define himself as the antithesis of the Jew , to see himself as a merchant and not a usurer , for a usurer obviously cannot be a true Christian . But it is not ...
Inhalt
Character Studies | 29 |
Production Reviews | 43 |
Further Reading | 96 |
Urheberrecht | |
12 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
actors Adriana amity Antipholus Antipholus of Ephesus Antipholus of Syracuse Antonio argues Armado audience Bassanio becomes Berowne Bianca Branagh centaur characters Christian Comedy of Errors comic context conventions court critics Daniel divinity dramatic dream Dromio Duke early modern Egeon Elizabethan English Ephesians Ephesus essay farce father female final friendship Gentlemen of Verona hath husband identity Jessica Jewish Kate Kate's Katherina King ladies language London lord Love's Labour's Lost lovers Lucentio Luciana male marriage master Menaechmi ment Merchant of Venice Midsummer Night's Dream musical narrative nature Petruchio Plautine Plautus play's playwright plot Portia production Renaissance role romantic scene seems sense servant sexual Shake Shakespeare Shakespearean Comedy Shrew Shylock social songs speare's speech stage story suggests suitors Taming theater theatrical theme thou tion tradition twins usurer usury wife William Shakespeare wives woman women wooing words York