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actual aerial perspective aesthetic Alfred Stevens ancient appear arch architect architrave artistic expression arts of form bronze building Buonamico Buffalmacco chap character classical columns composition construction contrast conventions Correggio dance decorative delineation Doric drapery Egyptian elements essential example feeling festal festival fifteenth century figures Florence Florentine forms of art Frans Hals fresco frescoist frieze give Gothic graphic art Greek hand harmony Hellenic Herbert Spencer human idea ideal imitation impasto impression Italian kind light light-and-shade linear perspective lines marble mass material matter mediaeval metopes modern monumental moulded nature objects pageants painter painting Parthenon perspective Pheidias picture pigment plane plastic play practice produced qualities recognised relation relief Rembrandt rendering representation represented round Saltatione scenes sculpture seen shadow shape significance Sir Charles Eastlake stone structure style surface temple texture theory thing tints tion tone and colour touch treatment triglyphs Vasari vault wall whole Zeus
Seite 297 - And when the evening mist clothes the riverside with poetry, as with a veil, and the poor buildings lose themselves in the dim sky, and the tall chimneys become campanili, and the warehouses are palaces in the night, and the whole city hangs in the heavens, and fairy-land is before us...
Seite 154 - Art should be independent of all clap-trap — should stand alone, and appeal to the artistic sense of eye or ear, without confounding this with emotions entirely foreign to it, as devotion, pity, love, patriotism, and the like. All these have no kind of concern with it; and that is why I insist on calling my works "arrangements
Seite 15 - The base consists of an extensive and rather convex platform of sticks firmly interwoven, on the centre of which the bower itself is built. This, like the platform on which it is placed, and with which it is interwoven, is formed of sticks and twigs, but of a more slender and flexible description, the tips of the twigs being so arranged as to curve inwards, and nearly meet at the top.
Seite 8 - Play is equally an artificial exercise of powers which, in default of their natural exercise, become so ready to discharge that they relieve themselves by simulated actions in place of real actions. For dogs and other predatory creatures show us unmistakably that their play consists of mimic chase and mimic fighting — they pursue one another, they try to overthrow one another, they bite one another as much as they dare. And so with the kitten running after a cotton-ball...
Seite 157 - The fountains mingle with the river And the rivers with the Ocean, The winds of Heaven mix for ever With a sweet emotion; Nothing in the world is single; All things by a law divine In one another's being mingle.
Seite 8 - The higher but less essential powers, as well as the lower but more essential powers, thus come to have activities that are carried on for the sake of the immediate gratifications derived, without reference to ulterior benefits ; and to such higher powers, aesthetic products yield these substituted activities, as games yield them to various lower powers.
Seite 323 - They will be issued simultaneously in England and America. Volumes dealing with separate sections of Literature, Science, Philosophy, History, and Art, have been assigned to representative literary men, to University Professors, or to Extension Lecturers connected with Oxford, Cambridge, London, and the Universities of Scotland and Ireland.
Seite 51 - Such notes as, warbled to the string, Drew iron tears down Pluto's cheek, And made Hell grant what love did...
Seite 329 - The other, which might at first appear inconsistent with this, is to increase the power of Logic as a practical discipline. The main purpose of this practical science, or scientific art, is conceived to be the organization of reason against error, and error in its various kinds is made the basis of the division of the subject. To carry out this practical aim along with the historical one is not hopeless, because throughout its long history Logic has been a practical science ; and, as I have tried...
Seite 7 - ... Inferior kinds of animals have in common the trait, that all their forces are expended in fulfilling functions essential to the maintenance of life. They are unceasingly occupied in searching for food, in escaping from enemies, in forming places of shelter, and in making preparations for progeny. But as we ascend to animals of high types, having faculties more efficient and more numerous, we begin to find that time and strength are not wholly absorbed in providing for immediate needs.