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This is justly considered as one of the most delightful of Shakespear's comedies. It is full of sweetness and pleasantry. It is perhaps too good-natured for comedy. It has little satire, and no spleen. It aims at the ludicrous rather than the ridiculous. It makes us laugh at the follies of mankind, not despise them, and still less bear any ill-will towards them., Shakespear's comic genius resembles the bee rather in its power of extracting sweets from weeds or poisons than in leaving a sting behind it. He gives the most amusing exaggeration of the prevailing foibles of his characters, but in a way that they themselves, instead of being offended at, would almost join in to humour; he rather contrives opportunities for them to show themselves off in the happiest lights, than renders them contemptible in the perverse construction of the wit or malice of others.

HAZLITT: Characters of Shakespear's Plays.

Malvolio, Sir Toby Belch, Sir Andrew Aguecheek, Maria, and, above all, Viola, as they live in the comedy are Shakespearian to the heart. The framework of the play is essentially serious, a beautiful vein of poetic feeling runs through it, and, intermingled with these, the most unforced and uproarious fun. In inventiveness in the comic type and in freedom in handling it, as well as in grouping of diverse materials and fusing them into a harmonious and captivating whole, this comedy was never surpassed by the dramatist. He parted with the muse of comedy at the very moment when he had mastered the art of touching the weaknesses, follies, and minor sins of men with a touch which was keen with the wisdom of a great knowledge of the world, and gentle with the kindness of one who loved his kind for what they had lost rather than for what they had won. MABIE: William Shakespeare: Poet, Dramatist, and Man.

Twelfth Night;

or, What You Will.

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Lords, Priests, Sailors, Officers, Musicians, and other Attendants.

SCENE: A city in Illyria, and the sea coast near it.

Twelfth Night;

Or, What You Will.

ACT FIRST.

Scene I.

An apartment in the Duke's palace.

Enter Duke, Curio, and other Lords; Musicians attending.

Тине

Duke. If music be the food of love, play on;
Give me excess of it, that, surfeiting,
The appetite may sicken, and so die.
That strain again! it had a dying fall:
O, it came o'er my ear like the sweet sound,
That breathes upon a bank of violets,
Stealing and giving odour! Enough; no more:
'Tis not so sweet now as it was before.

O spirit of love, how quick and fresh art thou!
That, notwithstanding thy capacity
Receiveth as the sea, nought enters there,
Of what validity and pitch soe'er,

But falls into abatement and low price,
Even in a minute! so full of shapes is fancy,

That it alone is high fantastical.

Cur. Will you go hunt, my lord?
Duke.

Cur. The hart.

What, Curio?

Duke. Why, so I do, the noblest that I have:
O, when mine eyes did see Olivia first,

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Methought she purged the air of pestilence!
That instant was I turn'd into a hart;

And my desires, like fell and cruel hounds,
E'er since pursue me.

Enter Valentine.

How now? what news from her?
Val. So please my lord, I might not be admitted;
But from her handmaid do return this answer;
The element itself, till seven years' heat,
Shall not behold her face at ample view;
But, like a cloistress, she will veiled walk
And water once a day her chamber round
With eye-offending brine: all this to season

A brother's dead love, which she would keep fresh
And lasting in her sad remembrance.

Duke. O, she that hath a heart of that fine frame

To pay this debt of love but to a brother,
How will she love, when the rich golden shaft
Hath kill'd the flock of all affections else

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That live in her; when liver, brain and heart,
These sovereign thrones, are all supplied, and fill'd
Her sweet perfections with one self king!
Away before me to sweet beds of flowers:
Love-thoughts lie rich when canopied with bowers.

40

[Exeunt.

Scene II.

The sea-coast.

Enter Viola, a Captain, and Sailors.

Vio. What country, friends, is this?

Cap. This is Illyria, lady.

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