This is justly considered as one of the most delightful of Shakespear's comedies. It is full of sweetness and pleasantry. It is perhaps too good-natured for comedy. It has little satire, and no spleen. It aims at the ludicrous rather than the ridiculous. It makes us laugh at the follies of mankind, not despise them, and still less bear any ill-will towards them., Shakespear's comic genius resembles the bee rather in its power of extracting sweets from weeds or poisons than in leaving a sting behind it. He gives the most amusing exaggeration of the prevailing foibles of his characters, but in a way that they themselves, instead of being offended at, would almost join in to humour; he rather contrives opportunities for them to show themselves off in the happiest lights, than renders them contemptible in the perverse construction of the wit or malice of others. HAZLITT: Characters of Shakespear's Plays. Malvolio, Sir Toby Belch, Sir Andrew Aguecheek, Maria, and, above all, Viola, as they live in the comedy are Shakespearian to the heart. The framework of the play is essentially serious, a beautiful vein of poetic feeling runs through it, and, intermingled with these, the most unforced and uproarious fun. In inventiveness in the comic type and in freedom in handling it, as well as in grouping of diverse materials and fusing them into a harmonious and captivating whole, this comedy was never surpassed by the dramatist. He parted with the muse of comedy at the very moment when he had mastered the art of touching the weaknesses, follies, and minor sins of men with a touch which was keen with the wisdom of a great knowledge of the world, and gentle with the kindness of one who loved his kind for what they had lost rather than for what they had won. MABIE: William Shakespeare: Poet, Dramatist, and Man. Lords, Priests, Sailors, Officers, Musicians, and other Attendants. SCENE: A city in Illyria, and the sea coast near it. Twelfth Night; Or, What You Will. ACT FIRST. Scene I. An apartment in the Duke's palace. Enter Duke, Curio, and other Lords; Musicians attending. Тине Duke. If music be the food of love, play on; O spirit of love, how quick and fresh art thou! But falls into abatement and low price, That it alone is high fantastical. Cur. Will you go hunt, my lord? Cur. The hart. What, Curio? Duke. Why, so I do, the noblest that I have: ques iff Feels the too etap phuying Methought she purged the air of pestilence! And my desires, like fell and cruel hounds, Enter Valentine. How now? what news from her? A brother's dead love, which she would keep fresh Duke. O, she that hath a heart of that fine frame To pay this debt of love but to a brother, 20 30 That live in her; when liver, brain and heart, 40 [Exeunt. Scene II. The sea-coast. Enter Viola, a Captain, and Sailors. Vio. What country, friends, is this? Cap. This is Illyria, lady. |