Shakspere's Predecessors in the English DramaSmith, Elder & Company, 1910 - 551 Seiten |
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Seite 10
... written in the morning of the art anticipating its late afternoon . The rapidity with which the changes in our drama were accomplished introduces some confusion . We are sometimes at a loss whether to maintain the chronological or the ...
... written in the morning of the art anticipating its late afternoon . The rapidity with which the changes in our drama were accomplished introduces some confusion . We are sometimes at a loss whether to maintain the chronological or the ...
Seite 17
... written to be acted , we have novels written to be read . These are produced in such profusion , with such spontaneous and untutored licence , so various in quality and yet upon the whole so excellent , that the Victorian period ...
... written to be acted , we have novels written to be read . These are produced in such profusion , with such spontaneous and untutored licence , so various in quality and yet upon the whole so excellent , that the Victorian period ...
Seite 49
... written to exemplify a leading moral quality . Nor again , with the single exception of the ' Merry Wives of Windsor , ' did he give the world a Comedy of Manners in the strict sense of that phrase . Where Shakspere ruled supreme was ...
... written to exemplify a leading moral quality . Nor again , with the single exception of the ' Merry Wives of Windsor , ' did he give the world a Comedy of Manners in the strict sense of that phrase . Where Shakspere ruled supreme was ...
Seite 53
... written , depended on the actors , who were trained more strictly to their business then than now . The old custom of maintain- ing jesters in castles and at Court bred a class of men whose profession it was to entertain an audience ...
... written , depended on the actors , who were trained more strictly to their business then than now . The old custom of maintain- ing jesters in castles and at Court bred a class of men whose profession it was to entertain an audience ...
Seite 57
... writing . It encouraged the playwrights to penetrate the deepest and the subtlest labyrinths of passion , and forced them to express themselves through language , for want of any other medium . But it also impressed a certain homeli ...
... writing . It encouraged the playwrights to penetrate the deepest and the subtlest labyrinths of passion , and forced them to express themselves through language , for want of any other medium . But it also impressed a certain homeli ...
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A. H. Bullen action actors allegory Arden artistic audience beauty Ben Jonson blank verse century character Chester Chronicle Play classical Comedy comic Court Coventry criticism death devil dialogue doth dramatists Elizabethan England English epoch Euphuism exhibited Faustus Friar genius Gorboduc Greek Greene's hand heaven hell Heywood holy human humour Interlude Italian Italy Jonson Juventus King Lady Latin less literary literature live London Lord Lyly lyric Marlowe Marlowe's Masque matter medieval Mephistophilis Miracles Misfortunes of Arthur Moral Plays Mordred motive murder nature pageants Pardoner passion performed personages piece players playwrights poetry poets popular present Prince Queen reign religious rhyme Roister Romantic Drama scene Seneca sense Servants Shakspere Shakspere's soul spirit stage style Tamburlaine theatre thee thou tion tragedy tragic trochee Vice wife Witch of Edmonton women Yorkshire Tragedy youth