Shakspere's Predecessors in the English DramaSmith, Elder & Company, 1910 - 551 Seiten |
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Seite 16
... never quitted this firm standing - ground , he held a wand which at a touch transmuted things of fact into the airy substance of a vision . Contempt for studied purity of style and for the artificial delicacies of sentiment was com ...
... never quitted this firm standing - ground , he held a wand which at a touch transmuted things of fact into the airy substance of a vision . Contempt for studied purity of style and for the artificial delicacies of sentiment was com ...
Seite 19
... Never since the birth of the dramatic art in Greece has any theatre displayed a genius so local and spontaneously popular , so thoroughly representative of the century in which it sprang to power , so national in tone and character ...
... Never since the birth of the dramatic art in Greece has any theatre displayed a genius so local and spontaneously popular , so thoroughly representative of the century in which it sprang to power , so national in tone and character ...
Seite 36
... never shall know here . I'll tell you a miracle : I am not mad yet to my cause of sorrow ; The heavens o'er my head seem made of molten brass , The earth of flaming sulphur ; yet I am not mad . I am acquainted with sad misery , As the ...
... never shall know here . I'll tell you a miracle : I am not mad yet to my cause of sorrow ; The heavens o'er my head seem made of molten brass , The earth of flaming sulphur ; yet I am not mad . I am acquainted with sad misery , As the ...
Seite 40
... never sounded in any of these lyrical outpourings on the theme of death . The pagan tone which marks them all takes strongest pitch , where it is well in keeping with dramatic character , in the last words of Petronius condemned to ...
... never sounded in any of these lyrical outpourings on the theme of death . The pagan tone which marks them all takes strongest pitch , where it is well in keeping with dramatic character , in the last words of Petronius condemned to ...
Seite 42
... Never more see the sun , nor heaven , nor earth ? Whither go I ? What shall I be anon ? What horrid journey wanderest thou , my soul , Under the earth in dark , damp , dusky vaults ? Phlegethon and Styx toss their hoarse waves before ...
... Never more see the sun , nor heaven , nor earth ? Whither go I ? What shall I be anon ? What horrid journey wanderest thou , my soul , Under the earth in dark , damp , dusky vaults ? Phlegethon and Styx toss their hoarse waves before ...
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A. H. Bullen action actors allegory Arden artistic audience beauty Ben Jonson blank verse century character Chester Chronicle Play classical Comedy comic Court Coventry criticism death devil dialogue doth dramatists Elizabethan England English epoch Euphuism exhibited Faustus Friar genius Gorboduc Greek Greene's hand heaven hell Heywood holy human humour Interlude Italian Italy Jonson Juventus King Lady Latin less literary literature live London Lord Lyly lyric Marlowe Marlowe's Masque matter medieval Mephistophilis Miracles Misfortunes of Arthur Moral Plays Mordred motive murder nature pageants Pardoner passion performed personages piece players playwrights poetry poets popular present Prince Queen reign religious rhyme Roister Romantic Drama scene Seneca sense Servants Shakspere Shakspere's soul spirit stage style Tamburlaine theatre thee thou tion tragedy tragic trochee Vice wife Witch of Edmonton women Yorkshire Tragedy youth