Kingdom of Disorder: The Theory of Tragedy in Classical FrancePurdue University Press, 1999 - 251 Seiten In this revisionist study of the poetics of tragedy during the French classical age, John Lyons challenges prevailing notions of a coherent, unified, and widely accepted classical doctrine. |
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Seite 148
... space , " is usu- ally used by the theorists as the most general term of volume or area , used to measure the limits of what can be shown to the audience and even what the characters can move through during the time of the play ...
... space , " is usu- ally used by the theorists as the most general term of volume or area , used to measure the limits of what can be shown to the audience and even what the characters can move through during the time of the play ...
Seite 149
... space as presented in his celebrated let- ter to Antoine Godeau about the " règle des vingt - quatre heures . " On ... space are set forth , some- times explicitly and sometimes implicitly . Because both the actual and the theoretical ...
... space as presented in his celebrated let- ter to Antoine Godeau about the " règle des vingt - quatre heures . " On ... space are set forth , some- times explicitly and sometimes implicitly . Because both the actual and the theoretical ...
Seite 151
... space were rigorously separate . According to almost all seventeenth - century theorists , the scenic space of tragedy is perceptible ( visible and audible ) to the au- dience , while spectator space is imperceptible to the charac- ters ...
... space were rigorously separate . According to almost all seventeenth - century theorists , the scenic space of tragedy is perceptible ( visible and audible ) to the au- dience , while spectator space is imperceptible to the charac- ters ...
Inhalt
Articulating the Aesthetic 1 Regular Theater | 1 |
Taking Aristotle Apart | 3 |
Multiplication Conflict and Inflation | 9 |
Urheberrecht | |
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Kingdom of Disorder: The Theory of Tragedy in Classical France John D. Lyons Eingeschränkte Leseprobe - 1999 |
Häufige Begriffe und Wortgruppen
acters action aesthetic ancient appears Aristotle Aristotle's Poetics audience audience's autre Bérénice bien bienséance Boileau Bossuet c'est catharsis century Chapelain characters choses classique color concept Corneille Corneille's crime critics d'Aubignac d'une Descartes describes discourse doit doivent dramatic theory emotion estre Euripides fait faut French classical hero heures Horace horror l'esprit La Mesnardière Le Cid Lettre lieu Meleager Mesnardière modern moral n'en n'est nonverisimilar offstage onstage painting Paris passion Paul Bénichou peut Phèdre Pierre Corneille pity and fear play playwright pleasure plot Poëme poétique preface qu'elle qu'il qu'on qu'un Querelle du Cid Racine Racine's raison reader règle regles representation rien rules Scudéry Sentimens seventeenth siècle space spectacle Spectateurs spectator spectator's stage sujet temps theater Théâtre complet theoretical theorists theory of tragedy three unities tion toûjours tout tragic story unity of place verisimilar verisimilitude voir vrai vraisemblable vray-semblance writes