Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 49Gale Research Company, 1984 |
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Seite 25
... begins , and it is of the utmost importance to recognize and follow that strategy from start to finish . She begins by establishing certain facts : first , that Venetian law cannot " impugn " Shylock or deny his suit ; ( 177-79 ) ...
... begins , and it is of the utmost importance to recognize and follow that strategy from start to finish . She begins by establishing certain facts : first , that Venetian law cannot " impugn " Shylock or deny his suit ; ( 177-79 ) ...
Seite 103
... begins " The Rejection of Falstaff " ( 1902 ) by asking , " Now why did Shakespeare end his drama with a scene which , though undoubtedly striking , leaves an impression so unpleasant ? " Eventually , he concludes that Henry IV's ...
... begins " The Rejection of Falstaff " ( 1902 ) by asking , " Now why did Shakespeare end his drama with a scene which , though undoubtedly striking , leaves an impression so unpleasant ? " Eventually , he concludes that Henry IV's ...
Seite 203
... begin with it before going on to what it tells , by analogy , about Shakespeare's attitude to the King . The Chorus ... begins with a distant tracking - shot , which the imagi- nation brings into more vivid focus than a passive camera ...
... begin with it before going on to what it tells , by analogy , about Shakespeare's attitude to the King . The Chorus ... begins with a distant tracking - shot , which the imagi- nation brings into more vivid focus than a passive camera ...
Inhalt
Law and Justice in Shakespeares Plays | 1 |
Henry IV Parts 1 and 2 | 92 |
Measure for Measure | 273 |
Urheberrecht | |
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action Agincourt Angelo Antonio argues audience authority Barnardine bed-trick Bertram brother Cambridge characters Chorus Chorus's Christian claim Claudio comedy comic contract Cordelia court critics crown death deed dramatic Duke Duke's Eastcheap Elizabethan England English Escalus Falstaff father final France French Friar Hal's Harfleur hath Helena's Henry Henry IV plays Henry VI Henry's Holinshed Hotspur human interpretation Isabella John Jonathan Dollimore judge judgment justice King Lear King's Lear's Leontes lines London Lord Lucio Machiavellian Mariana marriage means Measure for Measure ment Merchant of Venice mercy moral Natural Law play's plot political Pompey Portia Prince Hal prison problem punishment reading rebels response Richard Richard II role royal says seems sense sexual Shake Shylock social soliloquy speare speare's speech Spousals stage substitute suggests sure theatre theatrical things thou tion trial scene University Press Vincentio virtue women words York