Drama of the English Renaissance: The Tudor periodRussell A. Fraser, Norman Rabkin Macmillan, 1976 - 544 Seiten The forty-one plays gathered in these volumes constitute the most extensive new survey of Renaissance drama in over forty years, and reflect both changes in taste and advances in scholarship since earlier collections. The editors have attempted to provide the materials for a truer view of the theater in which Shakespeare worked than has hiterto been possible in anthologies. Marlowe, Jonson, and Webster, by most accounts the best of Shakepare's contemporaries, are reporesented by their major plays. -- Preface. |
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Seite 63
... turn back from this pretensed 11 will ; 30 For to proceed in virtuous life employ endeavor still ; 12 Extinguish vice , and in that cup to drink have no delight ; To martial feats and kingly sport fix all your whole delight . King . My ...
... turn back from this pretensed 11 will ; 30 For to proceed in virtuous life employ endeavor still ; 12 Extinguish vice , and in that cup to drink have no delight ; To martial feats and kingly sport fix all your whole delight . King . My ...
Seite 255
... turns : " the best turn in bed . " 18 tall : brave . 21 continent : chaste . 22 jesting ... trulls : mocking shows for their whores . 23 presently : immediately . 25 Sinus Arabicus : the Red Sea . 27 Selinus : Sicilian town . 24 prest ...
... turns : " the best turn in bed . " 18 tall : brave . 21 continent : chaste . 22 jesting ... trulls : mocking shows for their whores . 23 presently : immediately . 25 Sinus Arabicus : the Red Sea . 27 Selinus : Sicilian town . 24 prest ...
Seite 481
... turn charming stories into lively drama ; but in his later work he wrote satirically in the mode of Marston , tragicomically in that of Heywood and Beaumont and Fletcher , intricately like Jonson and sentimentally like Massinger . A ...
... turn charming stories into lively drama ; but in his later work he wrote satirically in the mode of Marston , tragicomically in that of Heywood and Beaumont and Fletcher , intricately like Jonson and sentimentally like Massinger . A ...
Inhalt
INTRODUCTION | 1 |
MR | 35 |
THOMAS PRESTON | 59 |
Urheberrecht | |
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