Shakespearean CriticismSandra L. Williamson Gale Research International, Limited, 1991 - 496 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 71
... spectators ) have the last laugh , thereby defusing not only the threat of woman's infidelity but also her potential to subvert patriarchal authority by transgressing its laws . In addition , of course , as an object of exchange within ...
... spectators ) have the last laugh , thereby defusing not only the threat of woman's infidelity but also her potential to subvert patriarchal authority by transgressing its laws . In addition , of course , as an object of exchange within ...
Seite 72
... spectators , the contradictions embodied in these heavily gendered looking relations . For Shakespeare's playtext rather pre- cisely analogizes and reproduces in its theater of spectacle the prevalent male anxieties about their ...
... spectators , the contradictions embodied in these heavily gendered looking relations . For Shakespeare's playtext rather pre- cisely analogizes and reproduces in its theater of spectacle the prevalent male anxieties about their ...
Seite 205
... spectators ' au- thority as witnesses , the spectacles which were intended to terrify lent themselves to active and subversive inter- ventions on the part of the audience . The eventual need to remove the execution from the public eye ...
... spectators ' au- thority as witnesses , the spectacles which were intended to terrify lent themselves to active and subversive inter- ventions on the part of the audience . The eventual need to remove the execution from the public eye ...
Inhalt
Food in The Comedy of Errors | 12 |
Anthony Brian Taylor Goldings Ovid Shakespeares Small Latin | 25 |
The Scripted Geography | 34 |
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action actor Angelo Antony Antony and Cleopatra appears argues aristocratic audience blood Brutus Cambridge character Claudius Cleopatra comedy comic Cordelia court courtly critics cultural death discourse dramatic dream Duke Elizabethan emulation England English essay Essex Falstaff father final gender Hamlet hath Henry Hercules hero human Iago imagination John Julius Caesar King Lear Lady language Lear's Leontes lines London Lord Love's Labour's Lost Lysimachus Macbeth male means Measure for Measure Menaechmi ment moral murder nature Othello Oxford performance Pericles play's political Press Prince Prospero Quarto Queen reading Renaissance revenge rhetorical Richard Richard III role scene seems sense sexual Shake Shakespeare Shakespeare's play social soliloquy speak speare speare's spectators speech stage suggests theatre theatrical thee thou Timon Timon of Athens tion Titus tragedy tragic traitor treason Troilus and Cressida Univ vols Winter's Tale woman women words