Shakespearean CriticismSandra L. Williamson Gale Research International, Limited, 1991 - 496 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 256
... never quite carried him over into action before - or only into the bungled action of Polonius's death . For although his ' excitements ' of rea- son and blood ( IV . iv . 58 ) confirm him in the duty of blood - revenge which he learned ...
... never quite carried him over into action before - or only into the bungled action of Polonius's death . For although his ' excitements ' of rea- son and blood ( IV . iv . 58 ) confirm him in the duty of blood - revenge which he learned ...
Seite 301
... never " signifies too short a time for the return of a life , repeats " Never , never , never , never , never . " Plain speech , plainly iterated then re- iterated in different contexts , gathering meanings from dif- ferent associations ...
... never " signifies too short a time for the return of a life , repeats " Never , never , never , never , never . " Plain speech , plainly iterated then re- iterated in different contexts , gathering meanings from dif- ferent associations ...
Seite 328
... never without secrecie doe great things . " 3 For us , there is nothing altogether surprising in the idea that power should define itself in relation to secrets . In- deed , given the increased valorization of inwardness dur- ing the ...
... never without secrecie doe great things . " 3 For us , there is nothing altogether surprising in the idea that power should define itself in relation to secrets . In- deed , given the increased valorization of inwardness dur- ing the ...
Inhalt
Food in The Comedy of Errors | 12 |
Anthony Brian Taylor Goldings Ovid Shakespeares Small Latin | 25 |
The Scripted Geography | 34 |
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action actor Angelo Antony Antony and Cleopatra appears argues aristocratic audience blood Brutus Cambridge character Claudius Cleopatra comedy comic Cordelia court courtly critics cultural death discourse dramatic dream Duke Elizabethan emulation England English essay Essex Falstaff father final gender Hamlet hath Henry Hercules hero human Iago imagination John Julius Caesar King Lear Lady language Lear's Leontes lines London Lord Love's Labour's Lost Lysimachus Macbeth male means Measure for Measure Menaechmi ment moral murder nature Othello Oxford performance Pericles play's political Press Prince Prospero Quarto Queen reading Renaissance revenge rhetorical Richard Richard III role scene seems sense sexual Shake Shakespeare Shakespeare's play social soliloquy speak speare speare's spectators speech stage suggests theatre theatrical thee thou Timon Timon of Athens tion Titus tragedy tragic traitor treason Troilus and Cressida Univ vols Winter's Tale woman women words