Shakespearean CriticismSandra L. Williamson Gale Research International, Limited, 1991 - 496 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 18
... male projection of fears of rejection- fears that are abundantly confirmed by the play's ending , and , what is worse , made inevitable and justified by the po- litical and social necessity of Sappho's choice . Sappho may be ' right ...
... male projection of fears of rejection- fears that are abundantly confirmed by the play's ending , and , what is worse , made inevitable and justified by the po- litical and social necessity of Sappho's choice . Sappho may be ' right ...
Seite 71
... male subjects . 12 In this scheme , which wrests power from the woman , in particular the power accruing to both body and voice , the men ( and by association , male spectators ) have the last laugh , thereby defusing not only the ...
... male subjects . 12 In this scheme , which wrests power from the woman , in particular the power accruing to both body and voice , the men ( and by association , male spectators ) have the last laugh , thereby defusing not only the ...
Seite 76
... male gaze , they also free a female spectator's look , according to Mulvey by way of Brecht , " into dialectics . " 55 The same is not true , however , of Cressida's final scene , the encounter with Dio- medes observed by Troilus ...
... male gaze , they also free a female spectator's look , according to Mulvey by way of Brecht , " into dialectics . " 55 The same is not true , however , of Cressida's final scene , the encounter with Dio- medes observed by Troilus ...
Inhalt
Food in The Comedy of Errors | 12 |
Anthony Brian Taylor Goldings Ovid Shakespeares Small Latin | 25 |
The Scripted Geography | 34 |
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