Shakespearean CriticismSandra L. Williamson Gale Research International, Limited, 1991 - 496 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 372
... letter , from the hand of Maria , which Malvolio finds , reads , accepts as Olivia's , and furiously interprets , to his own eventual discomfiture . It is self - evident that these three letters are of enormous importance to their plays ...
... letter , from the hand of Maria , which Malvolio finds , reads , accepts as Olivia's , and furiously interprets , to his own eventual discomfiture . It is self - evident that these three letters are of enormous importance to their plays ...
Seite 374
... letter and therefore suggests that , though she is ignor- ing the surface of that letter , she is responding to the real issues that it contains ; she neglects the letter's text for its subtext . Foremost among these issues is Macbeth's ...
... letter and therefore suggests that , though she is ignor- ing the surface of that letter , she is responding to the real issues that it contains ; she neglects the letter's text for its subtext . Foremost among these issues is Macbeth's ...
Seite 379
... letter form does suggest the cur- rency of epistle writing ( " An Epistle therefore , is that which usually we in our vulgar , doe tearme a Letter " ) , 19 and unquestionably these books were offering models to interested correspondents ...
... letter form does suggest the cur- rency of epistle writing ( " An Epistle therefore , is that which usually we in our vulgar , doe tearme a Letter " ) , 19 and unquestionably these books were offering models to interested correspondents ...
Inhalt
Food in The Comedy of Errors | 12 |
Anthony Brian Taylor Goldings Ovid Shakespeares Small Latin | 25 |
The Scripted Geography | 34 |
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action actor Angelo Antony Antony and Cleopatra appears argues aristocratic audience blood Brutus Cambridge character Claudius Cleopatra comedy comic Cordelia court courtly critics cultural death discourse dramatic dream Duke Elizabethan emulation England English essay Essex Falstaff father final gender Hamlet hath Henry Hercules hero human Iago imagination John Julius Caesar King Lear Lady language Lear's Leontes lines London Lord Love's Labour's Lost Lysimachus Macbeth male means Measure for Measure Menaechmi ment moral murder nature Othello Oxford performance Pericles play's political Press Prince Prospero Quarto Queen reading Renaissance revenge rhetorical Richard Richard III role scene seems sense sexual Shake Shakespeare Shakespeare's play social soliloquy speak speare speare's spectators speech stage suggests theatre theatrical thee thou Timon Timon of Athens tion Titus tragedy tragic traitor treason Troilus and Cressida Univ vols Winter's Tale woman women words