Shakespearean CriticismSandra L. Williamson Gale Research International, Limited, 1991 - 496 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 48
... final scene , when Leonato takes Margaret to task for her participation in the plot to defame Hero . Whether she knew of the conspiracy or not , Margaret is still guilty of exceeding the boundaries of acceptable female intercourse by ...
... final scene , when Leonato takes Margaret to task for her participation in the plot to defame Hero . Whether she knew of the conspiracy or not , Margaret is still guilty of exceeding the boundaries of acceptable female intercourse by ...
Seite 299
... final narrative self - creation , but it no more captures an essential self than any of his earlier sto- ries . 23 Neither singly nor together do these images of a " Venetian " hero or " Turkish " savage portray the truth of Othello as ...
... final narrative self - creation , but it no more captures an essential self than any of his earlier sto- ries . 23 Neither singly nor together do these images of a " Venetian " hero or " Turkish " savage portray the truth of Othello as ...
Seite 434
... final scene . The climax of the play is not the revelation of Ferdinand and Miranda playing chess ; instead , it is the or- chestrated parade of the tortured and humiliated lower- class conspirators as a grim object lesson for ...
... final scene . The climax of the play is not the revelation of Ferdinand and Miranda playing chess ; instead , it is the or- chestrated parade of the tortured and humiliated lower- class conspirators as a grim object lesson for ...
Inhalt
Food in The Comedy of Errors | 12 |
Anthony Brian Taylor Goldings Ovid Shakespeares Small Latin | 25 |
The Scripted Geography | 34 |
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action actor Angelo Antony Antony and Cleopatra appears argues aristocratic audience blood Brutus Cambridge character Claudius Cleopatra comedy comic Cordelia court courtly critics cultural death discourse dramatic dream Duke Elizabethan emulation England English essay Essex Falstaff father final gender Hamlet hath Henry Hercules hero human Iago imagination John Julius Caesar King Lear Lady language Lear's Leontes lines London Lord Love's Labour's Lost Lysimachus Macbeth male means Measure for Measure Menaechmi ment moral murder nature Othello Oxford performance Pericles play's political Press Prince Prospero Quarto Queen reading Renaissance revenge rhetorical Richard Richard III role scene seems sense sexual Shake Shakespeare Shakespeare's play social soliloquy speak speare speare's spectators speech stage suggests theatre theatrical thee thou Timon Timon of Athens tion Titus tragedy tragic traitor treason Troilus and Cressida Univ vols Winter's Tale woman women words