Shakespearean CriticismSandra L. Williamson Gale Research International, Limited, 1991 - 496 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 59
... appears natural . This should alert us to these words , and their playfulness . Something may appear natural and be other- wise . Indeed , the point of saying that it appears natural is to express wonder that it is not . This does not ...
... appears natural . This should alert us to these words , and their playfulness . Something may appear natural and be other- wise . Indeed , the point of saying that it appears natural is to express wonder that it is not . This does not ...
Seite 140
... appears in the first half of the play - in which his vic- tims are largely self - doomed criminals . Yet the murder of the innocent Princes in the Tower is the play's emotional turning - point away from identification of the audience ...
... appears in the first half of the play - in which his vic- tims are largely self - doomed criminals . Yet the murder of the innocent Princes in the Tower is the play's emotional turning - point away from identification of the audience ...
Seite 337
... appears as a revenant forever lost , but also as a specular , narcissistical- ly invested form . It appears , that is , as a hallucinatory ap- parition.40 For Lacan , mourning is a reflective phenomenon , bearing less on the origin of ...
... appears as a revenant forever lost , but also as a specular , narcissistical- ly invested form . It appears , that is , as a hallucinatory ap- parition.40 For Lacan , mourning is a reflective phenomenon , bearing less on the origin of ...
Inhalt
Food in The Comedy of Errors | 12 |
Anthony Brian Taylor Goldings Ovid Shakespeares Small Latin | 25 |
The Scripted Geography | 34 |
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action actor Angelo Antony Antony and Cleopatra appears argues aristocratic audience blood Brutus Cambridge character Claudius Cleopatra comedy comic Cordelia court courtly critics cultural death discourse dramatic dream Duke Elizabethan emulation England English essay Essex Falstaff father final gender Hamlet hath Henry Hercules hero human Iago imagination John Julius Caesar King Lear Lady language Lear's Leontes lines London Lord Love's Labour's Lost Lysimachus Macbeth male means Measure for Measure Menaechmi ment moral murder nature Othello Oxford performance Pericles play's political Press Prince Prospero Quarto Queen reading Renaissance revenge rhetorical Richard Richard III role scene seems sense sexual Shake Shakespeare Shakespeare's play social soliloquy speak speare speare's spectators speech stage suggests theatre theatrical thee thou Timon Timon of Athens tion Titus tragedy tragic traitor treason Troilus and Cressida Univ vols Winter's Tale woman women words