Shakespearean CriticismSandra L. Williamson Gale Research International, Limited, 1991 - 496 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 322
... action will have the force of action : Whence is that knocking ? — How is't with me , when every noise appals me ? What hands are here ? Ha ! they pluck out mine eyes . [ 2. 2. 56-58 ] This plucking isn't literal , but since the ...
... action will have the force of action : Whence is that knocking ? — How is't with me , when every noise appals me ? What hands are here ? Ha ! they pluck out mine eyes . [ 2. 2. 56-58 ] This plucking isn't literal , but since the ...
Seite 323
... action of the play ? I should say both . The adjective " rooky " -the wood already has both crowlike ( a rook is like a crow ) and non - crowlike ( a rook is not the same as a crow ) attributes as the crow heads to- ward it is typical ...
... action of the play ? I should say both . The adjective " rooky " -the wood already has both crowlike ( a rook is like a crow ) and non - crowlike ( a rook is not the same as a crow ) attributes as the crow heads to- ward it is typical ...
Seite 416
... action I now go on / Is for my better grace ' , commentators are usually drawn more strongly towards ' grace ' than towards ' action ' . ' Action ' probably combines legal and military as- sociations : a legal process which is also a ...
... action I now go on / Is for my better grace ' , commentators are usually drawn more strongly towards ' grace ' than towards ' action ' . ' Action ' probably combines legal and military as- sociations : a legal process which is also a ...
Inhalt
Food in The Comedy of Errors | 12 |
Anthony Brian Taylor Goldings Ovid Shakespeares Small Latin | 25 |
The Scripted Geography | 34 |
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action actor Angelo Antony Antony and Cleopatra appears argues aristocratic audience blood Brutus Cambridge character Claudius Cleopatra comedy comic Cordelia court courtly critics cultural death discourse dramatic dream Duke Elizabethan emulation England English essay Essex Falstaff father final gender Hamlet hath Henry Hercules hero human Iago imagination John Julius Caesar King Lear Lady language Lear's Leontes lines London Lord Love's Labour's Lost Lysimachus Macbeth male means Measure for Measure Menaechmi ment moral murder nature Othello Oxford performance Pericles play's political Press Prince Prospero Quarto Queen reading Renaissance revenge rhetorical Richard Richard III role scene seems sense sexual Shake Shakespeare Shakespeare's play social soliloquy speak speare speare's spectators speech stage suggests theatre theatrical thee thou Timon Timon of Athens tion Titus tragedy tragic traitor treason Troilus and Cressida Univ vols Winter's Tale woman women words