Shakespearean CriticismSandra L. Williamson Gale Research International, Limited, 1991 - 496 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 331
... Macbeth is remarkable precisely for the extent to which it resists too immediate a recourse to moralization . Con- sider the moment Macbeth , fresh from the act , gazes at his blood - soaked hands . MACBETH : This is a sorry sight . LADY ...
... Macbeth is remarkable precisely for the extent to which it resists too immediate a recourse to moralization . Con- sider the moment Macbeth , fresh from the act , gazes at his blood - soaked hands . MACBETH : This is a sorry sight . LADY ...
Seite 333
... Macbeth's rapt surmise would seem to distinguish it from these more ghastly , or perhaps more bracing , forms of speculation . In fact , though , the new Gorgon does come into view as Macbeth speaks . The play rather emphatically draws ...
... Macbeth's rapt surmise would seem to distinguish it from these more ghastly , or perhaps more bracing , forms of speculation . In fact , though , the new Gorgon does come into view as Macbeth speaks . The play rather emphatically draws ...
Seite 373
... Macbeth follows this reading with a meditation of some sixteen lines . Several features of the letter itself , its reason for existing , and Lady Macbeth's meditation com- pel our attention . The first two - thirds or so of the letter ...
... Macbeth follows this reading with a meditation of some sixteen lines . Several features of the letter itself , its reason for existing , and Lady Macbeth's meditation com- pel our attention . The first two - thirds or so of the letter ...
Inhalt
Food in The Comedy of Errors | 12 |
Anthony Brian Taylor Goldings Ovid Shakespeares Small Latin | 25 |
The Scripted Geography | 34 |
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action actor Angelo Antony Antony and Cleopatra appears argues aristocratic audience blood Brutus Cambridge character Claudius Cleopatra comedy comic Cordelia court courtly critics cultural death discourse dramatic dream Duke Elizabethan emulation England English essay Essex Falstaff father final gender Hamlet hath Henry Hercules hero human Iago imagination John Julius Caesar King Lear Lady language Lear's Leontes lines London Lord Love's Labour's Lost Lysimachus Macbeth male means Measure for Measure Menaechmi ment moral murder nature Othello Oxford performance Pericles play's political Press Prince Prospero Quarto Queen reading Renaissance revenge rhetorical Richard Richard III role scene seems sense sexual Shake Shakespeare Shakespeare's play social soliloquy speak speare speare's spectators speech stage suggests theatre theatrical thee thou Timon Timon of Athens tion Titus tragedy tragic traitor treason Troilus and Cressida Univ vols Winter's Tale woman women words