That my endeavours prosper'd. Saw you of late A thousand pounds: put me in good security, Sir Giles, your uncle? Well. I heard of him, madam, By his minister, Marrall. He's grown into strange passions About his daughter. This last night he look'd for Lov. It may be, Sweetheart, my project took. L. All. I strongly hope. Over. [within.] Ha! find her, booby, thou huge lump of nothing, I'll bore thine eyes out else. Well. May it please your lordship, For some ends of mine own, but to withdraw Lov. You shall direct me. [Steps aside. Enter OVERREACH, with distracted looks, driving in MARRALL before him, with a box. Over. I shall sol fa you, rogue! Do you use me thus? Over. Cause, slave! why, I am angry, And so to cool my choler. Look to the writing; Mar. I may yet cry quittance, [Aside. Over. Lady, by your leave, did you see my daughter, lady? And the lord, her husband? are they in your house? If they are, discover, that I may bid them joy; When she nods on you; which you must receive L. All. When I know, Sir Giles, Her state requires such ceremony, I shall pay it; But, in the meantime, as I am myself, I give you to understand, I neither know Nor care where her honour is. Over. When you once see her Supported, and led by the lord her husband, Well. Sir. Over. No more! Well. "Tis all I owe you. Over. Have your redeem'd rags Made you thus insolent? Well. Insolent to you! Why, what are you, sir, unless in your years, At the best, more than myself? Over. His fortune swells him: 'Tis rank, he's married. L. All. This is excellent! [Aside. And suddenly, by mortgage or by statute, Of some of your new possessions, or I'll have you Dragg'd in your lavender robes to the gaol: you know me, And therefore do not trifle. Well. Can you be So cruel to your nephew, now he's in Over. End me no ends! engage the whole estate, And force your spouse to sign it, you shall have Three or four thousand more, to roar and [Aside to WELLBORN. Well. This rage is vain, sir; For fighting, fear not, you shall have your hands full, Upon the least incitement; and whereas You charge me with a debt of a thousand pounds, If there be law (howe'er you have no conscience), Either restore my land, or I'll recover A debt, that's truly due to me from you, In value ten times more than what you challenge. Over. I in thy debt! Oh impudence! did I not purchase The land left by thy father, that rich land, Twenty descents; which, like a riotous fool, Thou didst make sale of? Is not here, enclosed, The deed that does confirm it mine? Mar. Now, now! Well. I do acknowledge none; I ne'er pass'd over Any such land: I grant, for a year or two L. All. In my judgment, Over. Good! good! conspire With your new husband, lady; second him 1 lavender robes-ie. your clothes which have just been redeemed out of pawn. To lay a thing in lavender was a common phrase for pawning it.-Gifford. This manor is extended to my use, Come nearer to you; when I have discover'd, You'll speak in an humbler key, and sue for And made it good before the judge, what ways, favour. L. All. Never: do not hope it. Well. Let despair first seize me. Over. Yet, to shut up thy mouth, and make thee give Thyself the lie, the loud lie, I draw out [Opens the box, and displays the bond. Thy ears to the pillory, see! here's that will make My interest clear-ha! L. All. A fair skin of parchment. Well. Indented, I confess, and labels too; But neither wax nor words. struck? How! thunder My wise uncle, Not a syllable to insult with? Over. I am o'erwhelmed with wonder! Well. To save thee, Would beggar the stock of mercy. Over. Marrall! Mar. Sir. I know no deeds. Over. Wilt thou betray me? Mar. Keep him From using of his hands, I'll use my tongue, To his no little torment. Over. Mine own varlet Rebel against me! Mar. Yes, and uncase you too. The idiot, the Patch, the slave, the booby, For your morning exercise, your football, or Unload my great artillery, and shake, Nay pulverize, the walls you think defend you. L. All. How he foams at the mouth with rage! Well. To him again. Over. Oh that I had thee in my gripe, I would tear thee Joint after joint! Mar. I know you are a tearer. But I'll have first your fangs pared off, and then extended-seized.-GIFFord. And devilish practices, you used to cozen with Well. All will come out. L. All. The better. You dare do any ill, yet want true valour Over. They are words I know not, Enter GREEDY and PARSON WILLDO. Shall find no harbour here:-after these storms At length a calm appears. Welcome, most welcome! There's comfort in thy looks; is the deed done? Is my daughter married? say but so, my chaplain, And I am tame. Willdo. Married! yes, I assure you. Over. Then vanish all sad thoughts! there's more gold for thee. My doubts and fears are in the titles drown'd I am provided. Empty guts, croak no more, Over. Instantly be here? [Whispering to WILLDO. To my wish! to my wish! Now you that plot against me, And hope to trip my heels up, that contemn'd me, Think on't and tremble:-[Loud music]-they come! I hear the music. A lane there for my lord! Well. This sudden heat May yet be cool'd, sir. Over. Make way there for my lord! Enter ALLWORTH and MARGARET. Marg. Sir, first your pardon, then your blessing, with Your full allowance of the choice I have made. As ever you could make use of your reason, [Kneeling. Grow not in passion; since you may as well All. So I assure you; all the rights of marriage, 1 bearing-portly, solid, substantial.-GIFFORD. Nor will I e'er believe it, 'sdeath! I will not; Baffled and fool'd, and all my hopes and labours Well. As it appears,. You are so, my grave uncle. Over. Village nurses I can do twenty neater, if you please Well. I do believe thee; But first discover the quaint means you used Mar. They are mysteries Not to be spoke in public: certain minerals Besides, he gave me nothing, but still fed me With hopes and blows; and that was the inducement To this conundrum. If it please your worship Well. You are a rascal! he that dares be false Or favour from me; I will shun thy sight If thou keep thy ears; howe'er, I will take order Greedy. I'll commit him, If you will have me, sir. Well. That were to little purpose; His conscience be his prison.-Not a word, Revenge their wrongs with curses; I'll not waste But instantly be gone. A syllable, but thus I take the life Which, wretched, I gave to thee. [Attempts to kill MARGARET. Lov. [coming forward.] Hold, for your own sake! Though charity to your daughter hath quite left you, Will you do an act, though in your hopes lost here, Can leave no hope for peace or rest hereafter? Over. Lord! thus I spit at thee, And at thy counsel; and again desire thee, And as thou art a soldier, if thy valour Dares show itself, where multitude and example Lead not the way, let's quit the house, and change Six words in private. Lov. I am ready. L. All. Stay, sir, Contest with one distracted! Well. You'll grow like him, Should you answer his vain challenge. Borrow his help, though Hercules call it odds, My fury cannot reach the coward hunters, Mar. Is't not brave sport? [Exit. Greedy. Brave sport! I am sure it has ta'en away my stomach; I do not like the sauce. All. Nay, weep not, dearest, Though it express your pity; what's decreed L. All. His threats move me No scruple, madam. Mar. Was it not a rare trick, An it please your worship, to make the deed nothing? Ord. Take this kick with you. Amb. And this. Furn. If that I had my cleaver here, I would divide your knave's head. False servants still arrive at. Re-enter OVERREACII. L. All. Come again! Lov. Fear not, I am your guard. Well. His looks are ghastly. [Exit. Willdo. Some little time I have spent, under your favours, In physical studies, and if my judgment err not, He's mad beyond recovery; but observe him, And look to yourselves. Over. Why, is not the whole world Included in myself? to what use then Are friends and servants? Say there were a squadron Of pikes, lined through with shot, when I am mounted Upon my injuries, shall I fear to charge them? I'll fall to execution.-Ha! I am feeble: That come to bind my hands, and then to drag me Before the judgment-seat: now they are new shapes, And do appear like Furies, with steel whips [Rushes forward, and flings himself on the Well. There's no help; Disarm him first, then bind him. Greedy. Take a mittimus, And carry him to Bedlam. Lov. How he foams! Well. And bites the earth! Willdo. Carry him to some dark room, There try what art can do for his recovery. Marg. Oh my dear father! [They force OVERREACH off. All. You must be patient, mistress. Lov. Here is a precedent to teach wicked men, That when they leave religion, and turn atheists. Their own abilities leave them. Pray you take comfort, I will endeavour you shall be his guardians Be it good or ill in law, I'll be an umpire Of Sir Giles Overreach; for me, here's the anchor All. What you shall determine,` My lord, I will allow of. Well. 'Tis the language That I speak too; but there is something else And payment of my debts, that I must practise. In my loose course; and until I redeem it Some noble way, I am but half made up. It is a time of action; if your lordship Will please to confer a company upon me, In your command, I doubt not, in my service To my king and country, but I shall do something That may make me right again. Lov. Your suit is granted, And you loved for the motion. Well. [coming forward.] Nothing wants then But your allowance1-and in that our all Is comprehended; it being known, nor we, Nor he that wrote the comedy, can be free, Without your manumission; which if you Grant willingly, as a fair favour due To the poet's, and our labours (as you may), For we despair not, gentlemen, of the play: We jointly shall profess your grace hath might To teach us action, and him how to write. 1 allowance-approval. [Exeunt. JOHN FORD. [THIS dramatist belonged to a good Devonshire family, being the second son of Thomas Ford of Ilsington, where he was born in April 1586. It is not known how he passed his early years till his appearance as a student of the Middle Temple, which he entered in November 1602. Here he seems diligently to have prosecuted his professional studies, and apparently was so successful in his career as a lawyer, as to be quite independent of literature as a source of income. Both in his student days and afterwards he appears to have led a sober, respectable, and somewhat retired life, exhibiting a marked contrast in this respect to most of his brother dramatists. He made his first appearance as an author in 1606, in the eighteenth year of his age, when he published an occasional poem, entitled Fame's Memorial, a tribute to the memory of Charles Blunt, Earl of Devonshire. His first essays in connection with the drama were made in conjunction with Webster, Dekker, and others. As Ford was quite independent of the stage for a livelihood, he wrote at his leisure, and more for love than reward. His first independent dramatic composition was The Lover's Melancholy, acted in 1628 and published in 1629, although possibly 'Tis Pity She's a Whore had possession of the stage previous to the former. This latter, along with The Broken Heart and Love's Sacrifice, made its appearance in print in 1633. Next year appeared a compact consecutive representation of a portion of English history,' under the title of Perkin Warbeck. This was followed in 1638 by a comedy, The Fancies Chaste and Noble, and in 1639 by his tragicomedy, The Lady's Trial. Besides these, Ford wrote a number of other dramas, now irrecoverably lost. It has been supposed that this dramatist died shortly after the publication of his last play (1639); although 'inquiries, too late to arrive at certainty, have scented a faint tradition that he withdrew to his native place, married, became a father, lived respected, and died at a good old age.' From the tenor of his works it has been inferred that Ford was of a somewhat irritable and melancholy temperament; and this opinion gets some countenance from a contemporary distich which photographs him thus: 'Deep in a dump John Ford was alone got, With folded arms and melancholy hat.' Various estimates have been formed of Ford as a dramatist, although nearly all critics agree that he is inferior to Massinger, Jonson, and Fletcher; Weber, however, thinking that he excels them all in point of pathetic effect. Hazlitt does not admire him, and says truly, that the general characteristic of his style is an artificial elaborateness, and, of course, along with all others, reprobates his morbid love of repulsive plots, low characters, and filthy language. Mr. Hartley Coleridge speaks of him thus:-' He disowned all courtship of the vulgar taste; we might therefore suppose that the horrible stories which he has embraced in 'Tis Pity She's a Whore, The Broken Heart, and Love's Sacrifice, were his own choice, and his own taste. But it would be unfair from hence to conclude that he delighted in the contemplation of vice and misery, as vice and misery. He delighted in the sensation of intellectual power, he found himself strong in the imagination of crime and of agony; his moral sense was gratified by indignation at the dark possibilities of sin, by compassion for rare extremes of suffering. He abhorred vice-he admired virtue; but 460 |