Characteristics of English Poets, from Chaucer to ShirleyWilliam Blackwood, 1885 - 382 Seiten |
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... line of the Trouvères . He was a disciple of theirs ; he studied in the school of Guillaume de Lorris and Jean de Meun , by the side of Guillaume de Machault and Eustache Deschamps . He adopted the same poetical machinery of vision and ...
... line of the Trouvères . He was a disciple of theirs ; he studied in the school of Guillaume de Lorris and Jean de Meun , by the side of Guillaume de Machault and Eustache Deschamps . He adopted the same poetical machinery of vision and ...
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... line on an average . ' It is not so much the number of words borrowed that Mr Earle insists upon , as the general strain or rhythm of the language . Not that he means to say that the King's English adopted the French rhythm , but that ...
... line on an average . ' It is not so much the number of words borrowed that Mr Earle insists upon , as the general strain or rhythm of the language . Not that he means to say that the King's English adopted the French rhythm , but that ...
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... lines . A century later , Dryden , with his vigorous habit of saying what he could not as well as what he could admit , expressed the greatest veneration for Chaucer , but considered that the rough diamond needed smoothing for modern ...
... lines . A century later , Dryden , with his vigorous habit of saying what he could not as well as what he could admit , expressed the greatest veneration for Chaucer , but considered that the rough diamond needed smoothing for modern ...
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... " ballet - royal " to the stave of eight , designating the seven - line stave - after its first memorable appearance in English - Troilus verse . and homelier dress corresponding with the youth of the English 20 GEOFFREY CHAUCER :
... " ballet - royal " to the stave of eight , designating the seven - line stave - after its first memorable appearance in English - Troilus verse . and homelier dress corresponding with the youth of the English 20 GEOFFREY CHAUCER :
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... line stanza to embody graceful allegories , and tales of sweet pathos . His choice of this medium for the touching ... lines ( 1 , 3 + 2 , 4 , 5 , 7 + 6 , 8 ) -the Spenserian stanza without the concluding Alexandrine . Five - accent ...
... line stanza to embody graceful allegories , and tales of sweet pathos . His choice of this medium for the touching ... lines ( 1 , 3 + 2 , 4 , 5 , 7 + 6 , 8 ) -the Spenserian stanza without the concluding Alexandrine . Five - accent ...
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Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
admiration beauty Canterbury Canterbury Tales Chapman character Chaucer colour comedy comic Coriolanus Court death delight doth drama dramatist edition Elizabethan English expression eyes Faery Queen fair fancy favour feeling flowers French genius gentle Gorboduc Greek Hamlet hath heart heaven Henry Hero and Leander heroes honour humour imagination imitation Italian Jonson King Knight's Tale lady language less living look Lord lovers Lydgate Marlowe mind Mirror for Magistrates moral nature never night passages passion personages Phaeton's plays poem poet poet's poetical poetry Prince probably reader revenge rhymes Richard Richard II romance satire scene seems Shakespeare Shakespeare's sonnets shepherds sing song sonnets soul Spenser spirit stage stanza Stratford supposed Surrey Surrey's sweet tale Tamburlaine tender thee things thou tion Tottel's Miscellany tragedy tragic translation Trouvères Venus Venus and Adonis verse wonder words write written wrote Wyat youth
Beliebte Passagen
Seite 210 - Coral is far more red than her lips' red: If snow be white, why then her breasts are dun; If hairs be wires, black wires grow on her head. I have seen roses damask'd, red and white, But no such roses see I in her cheeks; And in some perfumes is there more delight Than in the breath that from my mistress reeks. I love to hear her speak, yet well I know That music hath a far more pleasing sound...
Seite 212 - When in the chronicle of wasted time I see descriptions of the fairest wights, And beauty making beautiful old rhyme, In praise of ladies dead, and lovely knights ; Then, in the blazon of sweet beauty's best, Of hand, of foot, of lip, of eye, of brow, I see their antique pen would have express'd Even such a beauty as you master now.
Seite 308 - Haste me to know't, that I, with wings as swift As meditation or the thoughts of love, May sweep to my revenge.
Seite 278 - Till thou applaud the deed. Come, seeling night, Scarf up the tender eye of pitiful day; And with thy bloody and invisible hand Cancel and tear to pieces that great bond Which keeps me pale! Light thickens; and the crow Makes wing to the rooky wood: Good things of day begin to droop and drowse; Whiles night's black agents to their preys do rouse.
Seite 214 - The warrant I have of your honourable disposition, not the worth of my untutor'd lines, makes it assured of acceptance. What I have done is yours; what I have to do is yours; being part in all I have, devoted yours.
Seite 296 - Be not afeard ; the isle is full of noises, Sounds, and sweet airs, that give delight, and hurt not. Sometimes a thousand twangling instruments Will hum about mine ears ; and sometime voices, That, if I then had wak'd after long sleep, Will make me sleep again : and then, in dreaming, The clouds methought would open, and show riches Ready to drop upon me ; that, when I wak'd, I cried to dream again.
Seite 314 - Go thy ways, old Jack ; die when thou wilt, if manhood, good manhood, be not forgot upon the face of the earth, then am I a shotten herring.
Seite 316 - As proofs of holy writ. This may do something. The Moor already changes with my poison. Dangerous conceits are, in their natures, poisons, Which, at the first, are scarce found to distaste ; But, with a little act upon the blood, Burn like the mines of sulphur.
Seite 208 - As the soul of Euphorbus was thought to live in Pythagoras, so the sweet witty soul of Ovid lives in mellifluous and honey-tongued Shakespeare ; witness his Venus and Adonis, his Lucrece, his sugared sonnets among his private friends, &c.