Characteristics of English Poets, from Chaucer to ShirleyWilliam Blackwood, 1885 - 382 Seiten |
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Seite x
... DRAMATISTS BEFORE 1. Lyly , II . Marlowe , III . Greene , IV . Peele , v . Nash , VI . Kyd , VII . Munday , VIII . Chettle , SHAKESPEARE . CHAPTER VII . - WILLIAM SHAKESPEARE . 163 168 171 185 191 195 197 203 205 210 228 230 240 246 250 ...
... DRAMATISTS BEFORE 1. Lyly , II . Marlowe , III . Greene , IV . Peele , v . Nash , VI . Kyd , VII . Munday , VIII . Chettle , SHAKESPEARE . CHAPTER VII . - WILLIAM SHAKESPEARE . 163 168 171 185 191 195 197 203 205 210 228 230 240 246 250 ...
Seite 13
... dramatist's creations , that his intention not unfrequently becomes a subject of dispute - the situation within the compass of a play rarely being sufficiently varied to make the exhibition of character unequivocal . Unless , indeed ...
... dramatist's creations , that his intention not unfrequently becomes a subject of dispute - the situation within the compass of a play rarely being sufficiently varied to make the exhibition of character unequivocal . Unless , indeed ...
Seite 113
... dramatist ; and that no great English drama , with the exception , perhaps , of Macbeth , was based upon the incidents commemorated in these ballads . H 114 CHAPTER III . RENAISSANCE AND TRANSITION . MOST of NORTH - COUNTRY BALLAD ...
... dramatist ; and that no great English drama , with the exception , perhaps , of Macbeth , was based upon the incidents commemorated in these ballads . H 114 CHAPTER III . RENAISSANCE AND TRANSITION . MOST of NORTH - COUNTRY BALLAD ...
Seite 149
... were free to engage in battle , murder , and violent struggle : and thus it was possible for English dramatists to bring the action on the stage . Apart , there- fore , from the debated question of good or bad THOMAS SACKVILLE . 149.
... were free to engage in battle , murder , and violent struggle : and thus it was possible for English dramatists to bring the action on the stage . Apart , there- fore , from the debated question of good or bad THOMAS SACKVILLE . 149.
Seite 150
... dramatist , whereas it was possible for the English dramatist . Now Sackville , in our first English tragedy , did not fully avail himself of the possibilities of the modern stage . The war between Porrex and Ferrex , the murder of ...
... dramatist , whereas it was possible for the English dramatist . Now Sackville , in our first English tragedy , did not fully avail himself of the possibilities of the modern stage . The war between Porrex and Ferrex , the murder of ...
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admiration beauty Canterbury Canterbury Tales Chapman character Chaucer colour comedy comic Coriolanus Court death delight doth drama dramatist edition Elizabethan English expression eyes Faery Queen fair fancy favour feeling flowers French genius gentle Gorboduc Greek Hamlet hath heart heaven Henry Hero and Leander heroes honour humour imagination imitation Italian Jonson King Knight's Tale lady language less living look Lord lovers Lydgate Marlowe mind Mirror for Magistrates moral nature never night passages passion personages Phaeton's plays poem poet poet's poetical poetry Prince probably reader revenge rhymes Richard Richard II romance satire scene seems Shakespeare Shakespeare's sonnets shepherds sing song sonnets soul Spenser spirit stage stanza Stratford supposed Surrey Surrey's sweet tale Tamburlaine tender thee things thou tion Tottel's Miscellany tragedy tragic translation Trouvères Venus Venus and Adonis verse wonder words write written wrote Wyat youth
Beliebte Passagen
Seite 210 - Coral is far more red than her lips' red: If snow be white, why then her breasts are dun; If hairs be wires, black wires grow on her head. I have seen roses damask'd, red and white, But no such roses see I in her cheeks; And in some perfumes is there more delight Than in the breath that from my mistress reeks. I love to hear her speak, yet well I know That music hath a far more pleasing sound...
Seite 212 - When in the chronicle of wasted time I see descriptions of the fairest wights, And beauty making beautiful old rhyme, In praise of ladies dead, and lovely knights ; Then, in the blazon of sweet beauty's best, Of hand, of foot, of lip, of eye, of brow, I see their antique pen would have express'd Even such a beauty as you master now.
Seite 308 - Haste me to know't, that I, with wings as swift As meditation or the thoughts of love, May sweep to my revenge.
Seite 278 - Till thou applaud the deed. Come, seeling night, Scarf up the tender eye of pitiful day; And with thy bloody and invisible hand Cancel and tear to pieces that great bond Which keeps me pale! Light thickens; and the crow Makes wing to the rooky wood: Good things of day begin to droop and drowse; Whiles night's black agents to their preys do rouse.
Seite 214 - The warrant I have of your honourable disposition, not the worth of my untutor'd lines, makes it assured of acceptance. What I have done is yours; what I have to do is yours; being part in all I have, devoted yours.
Seite 296 - Be not afeard ; the isle is full of noises, Sounds, and sweet airs, that give delight, and hurt not. Sometimes a thousand twangling instruments Will hum about mine ears ; and sometime voices, That, if I then had wak'd after long sleep, Will make me sleep again : and then, in dreaming, The clouds methought would open, and show riches Ready to drop upon me ; that, when I wak'd, I cried to dream again.
Seite 314 - Go thy ways, old Jack ; die when thou wilt, if manhood, good manhood, be not forgot upon the face of the earth, then am I a shotten herring.
Seite 316 - As proofs of holy writ. This may do something. The Moor already changes with my poison. Dangerous conceits are, in their natures, poisons, Which, at the first, are scarce found to distaste ; But, with a little act upon the blood, Burn like the mines of sulphur.
Seite 208 - As the soul of Euphorbus was thought to live in Pythagoras, so the sweet witty soul of Ovid lives in mellifluous and honey-tongued Shakespeare ; witness his Venus and Adonis, his Lucrece, his sugared sonnets among his private friends, &c.