The Plays of William Shakspeare: In Fifteen Volumes. With the Corrections and Illustrations of Various Commentators. To which are Added NotesT. Longman, 1793 |
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Seite vi
... EDITION , 1789 . IT. * I may just remark , left they be mistaken for Errata , that the word Catherine in the 45th page is written , according to the old Orthography for Catharine ; and that the passage in the 48th page is copied from ...
... EDITION , 1789 . IT. * I may just remark , left they be mistaken for Errata , that the word Catherine in the 45th page is written , according to the old Orthography for Catharine ; and that the passage in the 48th page is copied from ...
Seite 7
... EDITION , 1789 . IT may be neceffary to apologize for the repub- lication of this pamphlet . The fact is , it has ... edition without the confent of the author . A few corrections might probably be made , and many additional proofs ...
... EDITION , 1789 . IT may be neceffary to apologize for the repub- lication of this pamphlet . The fact is , it has ... edition without the confent of the author . A few corrections might probably be made , and many additional proofs ...
Seite 10
... edition , with a various reading , " small Latin and no Greek , " which hath been held up to the pub- lick for a modern fophistication : yet whether an error or not , it was adopted above a century ago by W. Towers , in a panegyrick on ...
... edition , with a various reading , " small Latin and no Greek , " which hath been held up to the pub- lick for a modern fophistication : yet whether an error or not , it was adopted above a century ago by W. Towers , in a panegyrick on ...
Seite 12
... afterward printed in several miscellaneous collections : particularly the fpurious edition of Shakspeare's Poems , 1640. Some account of him may be met with in Wood's Athena . 4 Lond . 4to . 1582. She reports in the 12 AN ESSAY ON THE.
... afterward printed in several miscellaneous collections : particularly the fpurious edition of Shakspeare's Poems , 1640. Some account of him may be met with in Wood's Athena . 4 Lond . 4to . 1582. She reports in the 12 AN ESSAY ON THE.
Seite 16
... editions , much less any of the ancient quartos : " and even Sir Thomas Hanmer's performance was known to him only by Mr. Warburton's representation . ” " 9 I find the character of this work pretty early delineated : ' Twas Greek at ...
... editions , much less any of the ancient quartos : " and even Sir Thomas Hanmer's performance was known to him only by Mr. Warburton's representation . ” " 9 I find the character of this work pretty early delineated : ' Twas Greek at ...
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acted actor alfo alſo ancient appears becauſe Blackfriars Burbage called comedy D'Avenant dramatick edition Engliſh eſtabliſhed exhibited faid faid Sir fame fays feem fervants fince firſt fome fuch George Buc Globe hath Henry Chettle Henry Herbert houſe Item John John Heminge Jonfon King Henry king's king's company laſt leſs likewife Lond London Lord Majesty maſques Maſter Michael Drayton moſt obſerved occafion pariſh paſſage perfons performed piece play players playes playhouſe pleaſed pleaſure poet poet's pounds preſent printed prologue publick publiſhed purpoſe Queen reaſon repreſentation repreſented Richard Richard Hathwaye ſame ſays ſcenes ſecond ſeems ſeen ſeveral Shakſpeare Shakſpeare's ſhall ſhares ſhew ſhould Sir Henry Herbert Sir William ſome ſometimes ſpeak ſpectators ſtage ſtand ſtate STEEVENS ſtill ſtory ſubject ſuch ſuppoſe theatre theſe Thomas Thomas Dekker thoſe thou tragedy tranflation uſed verſes Wentworth Smith whoſe William D'Avenant writer written
Beliebte Passagen
Seite 506 - To draw no envy, Shakespeare, on thy name, Am I thus ample to thy book and fame; While I confess thy writings to be such As neither man nor Muse can praise too much.
Seite 506 - Or blind affection, which doth ne'er advance The truth, but gropes, and urgeth all by chance; Or crafty malice might pretend this praise, And think to ruin, where it seemed to raise.
Seite 530 - This pencil take (she said) whose colours clear Richly paint the vernal year : Thine, too, these golden keys, immortal Boy ! This can unlock the gates of Joy ; Of Horror that, and thrilling Fears, Or ope the sacred source of sympathetic Tears.
Seite 316 - His mind and hand went together ; and what he thought, he uttered with that easiness, that we have scarce received from him a blot in his papers.
Seite 506 - Shakespeare, must enjoy a part. For though the poet's matter nature be, His art doth give the fashion; and, that he Who casts to write a living line, must sweat (Such as thine are) and strike the second heat Upon the Muses...
Seite 506 - And shake a stage; or, when thy socks were on Leave thee alone for the comparison Of all that insolent Greece or haughty Rome Sent forth, or since did from their ashes come. Triumph, my Britain, thou hast one to show To whom all scenes of Europe homage owe.
Seite 176 - True, representing some principal pieces of the reign of Henry the Eighth, which was set forth with many extraordinary circumstances of pomp and majesty, even to the matting of the stage ; the Knights of the order, with their Georges and Garter, the guards with their embroidered coats and the like; sufficient, in truth, within a while to make greatness very familiar, if not ridiculous.
Seite 523 - WHEN Learning's triumph o'er her barb'rous foes First rear'd the stage, immortal Shakspeare rose ; Each change of many-colour'd life he drew, Exhausted worlds, and then imagin'd new: Existence saw him spurn her bounded reign, And panting Time toil'd after him in vain. His pow'rful strokes presiding Truth impress'd, And unresisted Passion storm'd the breast.
Seite 506 - The applause, delight, the wonder of our stage! My Shakespeare, rise! I will not lodge thee by Chaucer, or Spenser, or bid Beaumont lie A little further, to make thee a room: Thou art a monument without a tomb, And art alive still while thy book doth live And we have wits to read and praise to give.
Seite 521 - Hence when lightning fires The arch of Heaven, and thunders rock the ground, When furious whirlwinds rend the howling air, And Ocean, groaning from his lowest bed, Heaves his tempestuous billows to the sky ; Amid the mighty uproar, while below The nations tremble, SHAKSPEARE looks abroad From some high cliff, superior, and enjoys The elemental war.