A Picture of Shakespeare's TragediesBrynmill, 1984 - 180 Seiten |
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Seite 35
... finds the poetry of murder on his lips he knows that " he does not belong to himself " if ever protagonist did , Hamlet , faced with murdering his king , does not belong to himself ( or he could ) ; but he can only see it as an ...
... finds the poetry of murder on his lips he knows that " he does not belong to himself " if ever protagonist did , Hamlet , faced with murdering his king , does not belong to himself ( or he could ) ; but he can only see it as an ...
Seite 42
... find himself in this is to find himself surrendered to a light which takes from him all direction . The more ... finds . . . is limited by where he is , what he can reach and when he is living . And the fact that I cannot redress ...
... find himself in this is to find himself surrendered to a light which takes from him all direction . The more ... finds . . . is limited by where he is , what he can reach and when he is living . And the fact that I cannot redress ...
Seite 131
... finds when he comes terribly to himself in his encounter with Cornwall is not so strange to him . The spring of his courage is its connection , not accidental , with the collapse of Lear's confident identification with " poor naked ...
... finds when he comes terribly to himself in his encounter with Cornwall is not so strange to him . The spring of his courage is its connection , not accidental , with the collapse of Lear's confident identification with " poor naked ...
Inhalt
G | 17 |
OTHELLO IN LOVE | 42 |
UNHOLY CORDS | 75 |
Urheberrecht | |
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actions admiration anguish Antony Antony and Cleopatra Antony's Banquo beauty believe betrayed Brabantio bring Brynmill Caesar Cassio cause character Charmian Claudius Claudius's Cleopatra comes command Cordelia courage daughters death deed Desdemona desire determination dismay Edgar's Edmund elation Elsinore Enobarbus Enobarbus's evil eyes face fact false fate father fear feel fool Gertrude's gesture Ghost gives Gloucester Gloucester's goes Goneril and Regan Hamlet hath heart heaven hell honour horror human Iago Iago's imagination indifference inevitable inspiration instruments of darkness intention John Dover Wilson judgement Kent King Lady Macbeth Lear Lear's look lord loyalty Mark Antony marriage means merely mind mocking murder nature necessity Nostromo Octavia Ophelia Othello passion patra pity Polonius Pompey possesses pride rage reality reassurance repudiation scorn sense shame shows sisters soul speak spirit suffering takes tell terrible thee things thou tragedy tragic triumph Venice wife Witches wonder
Verweise auf dieses Buch
Deconstructing Macbeth: The Hyperontological View Harald William Fawkner Eingeschränkte Leseprobe - 1990 |