PAGE 26. Hazlitt, comparing this song with a prose passage in the same story, says it is "written in a less sombre style, with a mixture of banter and irony. But it is distinguished by the same fulness of feeling, and the same simple, forcible, and perfect expression of it. There is nothing wanting, and nothing superfluous. The author has produced exactly the impression he intended." 28. "Scott," says Palgrave, "has given us nothing more complete and lovely than this little song, which unites simplicity and dramatic power to a wildwood music of the rarest quality." "Maisie" is "Mary." 32. Scott wrote: "I cannot suppress the pride of saying that these lines have been beautifully set to original music by Mrs. Arkwright of Derbyshire." 62. "From the Spanish." 65. The lines "Deep in each bosom's secret cell will remind many readers of Keble's "Each in his hidden sphere of joy or woe, 73. Suggested, of course, by the proverbial lines: 77. The query Three wise men of Gotham "Where's the snow That fell the year that's fled?" "almost persuades " one that Lover knew the original of "Nay, but where is the last year's snow?" So. Lover wrote: "The song was written to illustrate my belief that the most commonplace expression, appropriately applied, may successfully serve the purposes of the lyric; and here experience has proved me right, for this very song of 'What will you do?' (containing in it that other commonplace, 'That's what I'd do') has been received with special favour by the public." PAGE 89. It is interesting to compare with Lever's lines the version which Thackeray has furnished (in Rebecca and Rowena) of the same original : "The Pope he is a happy man, His Palace is the Vatican : And there he sits and drains his can; The Pope he is a happy man. I often say when I'm at home, "And then there's Sultan Saladin, "But no, the Pope no wife may choose, My wife, my wine, I love, I hope, ' And would be neither Turk nor Pope." 97. The idea embodied in this song is practically identical with that contaшed in the well-known lyric by Hartley Coleridge : "Her loveliness I never knew Until she smiled on me." Ho! why dost thou shiver and shake. How stern are the woes of the desolate mourner I played with you 'mid cowslips blowing I sigh not for woman, I court not her charms I strike my harp with fetter'd hand. I was a brook in straitest channel pent I'll give thee, good fellow, a twelvemonth or twain I'm sadly afraid of my Old Complaint I'm weary o' your ha's, auld lord. If I, so mean, were Royal Queen If I were a queen I'd make it a rule In his last binn Sir Peter lies My sheep are thoughts, which I both guide and serve Ne'er ask where knaves are mining |