Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 19Gale Research Company, 1984 |
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... noble iden- tities . There is , however , a close imaginative connection between their joint victory at Alexandria and their noble deaths ; moreover , without that earlier achievement in mu- tual triumph the claims of the last one would ...
... noble iden- tities . There is , however , a close imaginative connection between their joint victory at Alexandria and their noble deaths ; moreover , without that earlier achievement in mu- tual triumph the claims of the last one would ...
Seite 317
... noble to herself brings her ever closer to Antony . It was he who brought home to her ( and Eros ) the horrible shame which Caesar's triumphal march would entail for the defeated , 43 he who inspired her to do ' what's brave , what's noble ...
... noble to herself brings her ever closer to Antony . It was he who brought home to her ( and Eros ) the horrible shame which Caesar's triumphal march would entail for the defeated , 43 he who inspired her to do ' what's brave , what's noble ...
Seite 323
... noble Brutus to our party " ( 11.140-41 ) . Casca agrees , and in his words the alchemical image reappears . “ O , he sits high in all the people's hearts , " says Casca , And that which would appear offence in us , His countenance ...
... noble Brutus to our party " ( 11.140-41 ) . Casca agrees , and in his words the alchemical image reappears . “ O , he sits high in all the people's hearts , " says Casca , And that which would appear offence in us , His countenance ...
Inhalt
Taming the Womans | 3 |
Anamorphism | 21 |
Antipholus Katherine and Proteus | 41 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
Antony Antony and Cleopatra Antony's argues audience Aufidius bear bearbaiting become Bolingbroke bridle Caesar Cambridge carnival characters Cleopatra Comedy of Errors comic Cordelia Coriolanus critics culture Cymbeline death Desdemona desire discourse drama dream Egeon's Elizabethan England English essay eyes Falstaff father female film gender hath heart Helena Henry Henry's human Iago Juliet Kate King John King Lear language Lear's Leontes lines London Love's Labor's Lost Macbeth madness male Malvolio marriage means ment metaphor nature noble Olivier Olivier's Othello perception performance Pericles play play's playgoer plot political Posthumus Prince Prospero queen reading Renaissance rhetorical Richard Richard II role Roman says scene script seems sense sexual Shake Shakespeare Shrew social speak speare speare's speech stage suggests Tamburlaine Tempest theater theatrical Theseus thou tion Titania tragedy trans Twelfth Night Univ Winter's Tale witchcraft witches woman women words York