Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 19Gale Research Company, 1984 |
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Seite 55
... means , " then , is as impossible to contain as who we are ; the same principle of meaning applies equally to play and player , and the assumption of self - identity in ei- ther case no longer applies . The Comedy of Errors stages ...
... means , " then , is as impossible to contain as who we are ; the same principle of meaning applies equally to play and player , and the assumption of self - identity in ei- ther case no longer applies . The Comedy of Errors stages ...
Seite 141
... means , the bish- ops are eking out the King's performance in their minds . They are compelled , in the language of their particular callings , to participate Harry . In the next scene a far more ambiguous means is provided by ...
... means , the bish- ops are eking out the King's performance in their minds . They are compelled , in the language of their particular callings , to participate Harry . In the next scene a far more ambiguous means is provided by ...
Seite 157
... means by which Shakespeare examines and constructs history . They have independent lives in the fiction of the drama , but they also assist the investigation and production of history . Falstaff , for example , one of Shakespeare's most ...
... means by which Shakespeare examines and constructs history . They have independent lives in the fiction of the drama , but they also assist the investigation and production of history . Falstaff , for example , one of Shakespeare's most ...
Inhalt
Taming the Womans | 3 |
Anamorphism | 21 |
Antipholus Katherine and Proteus | 41 |
Urheberrecht | |
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Antony Antony and Cleopatra Antony's argues audience Aufidius bear bearbaiting become Bolingbroke bridle Caesar Cambridge carnival characters Cleopatra Comedy of Errors comic Cordelia Coriolanus critics culture Cymbeline death Desdemona desire discourse drama dream Egeon's Elizabethan England English essay eyes Falstaff father female film gender hath heart Helena Henry Henry's human Iago Juliet Kate King John King Lear language Lear's Leontes lines London Love's Labor's Lost Macbeth madness male Malvolio marriage means ment metaphor nature noble Olivier Olivier's Othello perception performance Pericles play play's playgoer plot political Posthumus Prince Prospero queen reading Renaissance rhetorical Richard Richard II role Roman says scene script seems sense sexual Shake Shakespeare Shrew social speak speare speare's speech stage suggests Tamburlaine Tempest theater theatrical Theseus thou tion Titania tragedy trans Twelfth Night Univ Winter's Tale witchcraft witches woman women words York