Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 19Gale Research Company, 1984 |
Im Buch
Ergebnisse 1-3 von 13
Seite 92
... Love's Labor's Lost : The Grace of. Influential feminist critics of Shakespeare have rarely dealt with Shakespeare's early , linguistically extravagant work . Most have confined ... Love's Labor's Lost: Language, Individualism, Gender"
... Love's Labor's Lost : The Grace of. Influential feminist critics of Shakespeare have rarely dealt with Shakespeare's early , linguistically extravagant work . Most have confined ... Love's Labor's Lost: Language, Individualism, Gender"
Seite 95
... Love's Labor's Lost have seen Berowne as the most " realistic " or " fully realized " character in the play , a harbinger of the highly particularized protagonists of the romantic come- dies Shakespeare writes a few years later.11 Nor ...
... Love's Labor's Lost have seen Berowne as the most " realistic " or " fully realized " character in the play , a harbinger of the highly particularized protagonists of the romantic come- dies Shakespeare writes a few years later.11 Nor ...
Seite 99
... Love's Labor's Lost explicitly frames the interactions among aristocrats , profes- sionals , and peasantry in terms of the possession of a literacy imagined in humanist terms as both the ability to read and write and as access to the ...
... Love's Labor's Lost explicitly frames the interactions among aristocrats , profes- sionals , and peasantry in terms of the possession of a literacy imagined in humanist terms as both the ability to read and write and as access to the ...
Inhalt
Taming the Womans | 3 |
Anamorphism | 21 |
Antipholus Katherine and Proteus | 41 |
Urheberrecht | |
32 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
Antony Antony and Cleopatra Antony's argues audience Aufidius bear bearbaiting become Bolingbroke bridle Caesar Cambridge carnival characters Cleopatra Comedy of Errors comic Cordelia Coriolanus critics culture Cymbeline death Desdemona desire discourse drama dream Egeon's Elizabethan England English essay eyes Falstaff father female film gender hath heart Helena Henry Henry's human Iago Juliet Kate King John King Lear language Lear's Leontes lines London Love's Labor's Lost Macbeth madness male Malvolio marriage means ment metaphor nature noble Olivier Olivier's Othello perception performance Pericles play play's playgoer plot political Posthumus Prince Prospero queen reading Renaissance rhetorical Richard Richard II role Roman says scene script seems sense sexual Shake Shakespeare Shrew social speak speare speare's speech stage suggests Tamburlaine Tempest theater theatrical Theseus thou tion Titania tragedy trans Twelfth Night Univ Winter's Tale witchcraft witches woman women words York