Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 11Gale Research Company, 1984 |
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Seite 161
... remarks seem more applicable to the theatre of the present moment , when a fairly large number of the audience appreciates the ironic and symbolic connotations of the clown figure , than do those of either the Victorian sentimentalists ...
... remarks seem more applicable to the theatre of the present moment , when a fairly large number of the audience appreciates the ironic and symbolic connotations of the clown figure , than do those of either the Victorian sentimentalists ...
Seite 175
... remarks that Carnovsky dominated by virtue of stature and voice , but his performance was effectively complemented " by the tiny cowering Fool by his side . " Ratcliffe , Michael . “ King of Swords and Storms . " The Observer ( 2 April ...
... remarks that Carnovsky dominated by virtue of stature and voice , but his performance was effectively complemented " by the tiny cowering Fool by his side . " Ratcliffe , Michael . “ King of Swords and Storms . " The Observer ( 2 April ...
Seite 368
... remarks , " You cannot by any effort conceive them [ Shakespeare's words ] to have been previously prepared , so much do they seem the spontaneous and inevitable overflow- ings of a mind wrapt up in its own deep sufferings . " Edwards ...
... remarks , " You cannot by any effort conceive them [ Shakespeare's words ] to have been previously prepared , so much do they seem the spontaneous and inevitable overflow- ings of a mind wrapt up in its own deep sufferings . " Edwards ...
Inhalt
King Lear | 1 |
Othello | 179 |
Romeo and Juliet | 374 |
Urheberrecht | |
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action actor admirable appeared audience Barry beauty Booth Brabantio Brook Cassio century character Cibber conception Cordelia costumes critic curtain daughters David Garrick Desdemona Donald Wolfit dramatic Drury Lane Edgar Edmund Edmund Kean Edwin Booth effect Elizabethan Emilia emotional essay date expression eyes feel Fool Forrest Garrick gesture give Gloucester Goneril heart Henry Irving Iago Iago's imagination interpretation Irving Irving's jealousy John Gielgud Kean Kean's Kemble Kent King Lear Lear's lines London look Macready mance ment mind Miss Moor nature never night noble Old Vic Olivier Olivier's Othello passion pathos performance Peter Brook play's players portrayal rage Regan review date Robeson Roderigo role Romeo and Juliet Salvini scene Scofield seems sense Shake Shakespeare speak speech stage storm Stratford suggested Theatre theatrical thing thou thought tion Tommaso Salvini tone tragedy tragic voice whole Wolfit words