Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 11Gale Research Company, 1984 |
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Seite viii
... notes as an additional aid to students using SC . The explanatory notes summarize the commentary and furnish previous publication information , such as original title and date , for reprinted and translated publications . The notes also ...
... notes as an additional aid to students using SC . The explanatory notes summarize the commentary and furnish previous publication information , such as original title and date , for reprinted and translated publications . The notes also ...
Seite 173
... notes , but he was at his finest in " his small moments . " Beauman , Sally . " Veering to Charybdis . " In her The Royal Shake- speare Company : A History of Ten Decades , pp . 138-65 . Oxford : Ox- ford University Press , 1982 ...
... notes , but he was at his finest in " his small moments . " Beauman , Sally . " Veering to Charybdis . " In her The Royal Shake- speare Company : A History of Ten Decades , pp . 138-65 . Oxford : Ox- ford University Press , 1982 ...
Seite 251
... notes of some divine music , like the sound of years of departed happiness . " But the same critic , surely no ungenerous or cold one to Kean , com- plains that he was all passion and energy , " too uniformly on the verge of ...
... notes of some divine music , like the sound of years of departed happiness . " But the same critic , surely no ungenerous or cold one to Kean , com- plains that he was all passion and energy , " too uniformly on the verge of ...
Inhalt
King Lear | 1 |
Othello | 179 |
Romeo and Juliet | 374 |
Urheberrecht | |
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action actor admirable appeared audience Barry beauty Booth Brabantio Brook Cassio century character Cibber conception Cordelia costumes critic curtain daughters David Garrick Desdemona Donald Wolfit dramatic Drury Lane Edgar Edmund Edmund Kean Edwin Booth effect Elizabethan Emilia emotional essay date expression eyes feel Fool Forrest Garrick gesture give Gloucester Goneril heart Henry Irving Iago Iago's imagination interpretation Irving Irving's jealousy John Gielgud Kean Kean's Kemble Kent King Lear Lear's lines London look Macready mance ment mind Miss Moor nature never night noble Old Vic Olivier Olivier's Othello passion pathos performance Peter Brook play's players portrayal rage Regan review date Robeson Roderigo role Romeo and Juliet Salvini scene Scofield seems sense Shake Shakespeare speak speech stage storm Stratford suggested Theatre theatrical thing thou thought tion Tommaso Salvini tone tragedy tragic voice whole Wolfit words