Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 11Gale Research Company, 1984 |
Im Buch
Ergebnisse 1-3 von 95
Seite 79
... Edgar's place in the scheme of things . We mulled it over as we walked . Edgar , legitimate son of Gloucester ; perhaps twenty - four or twenty - five years old . Something of an introvert ; perhaps a bookish type . One senses that ...
... Edgar's place in the scheme of things . We mulled it over as we walked . Edgar , legitimate son of Gloucester ; perhaps twenty - four or twenty - five years old . Something of an introvert ; perhaps a bookish type . One senses that ...
Seite 80
... Edgar had come to confess . During the course of the confessional , Edmund , using theo- logical arguments and the pious determination of a clergy- man , was to persuade Edgar to forfeit his lands for the good of his soul . In a second ...
... Edgar had come to confess . During the course of the confessional , Edmund , using theo- logical arguments and the pious determination of a clergy- man , was to persuade Edgar to forfeit his lands for the good of his soul . In a second ...
Seite 106
... Edgar at the be- ginning of Act IV : The worst is not So long as we can say " This is the worst " - [ IV . i . 27-8 ] where the emphasis , which belongs to say , was given to This . Verse - speaking has improved a little at Stratford in ...
... Edgar at the be- ginning of Act IV : The worst is not So long as we can say " This is the worst " - [ IV . i . 27-8 ] where the emphasis , which belongs to say , was given to This . Verse - speaking has improved a little at Stratford in ...
Inhalt
King Lear | 1 |
Othello | 179 |
Romeo and Juliet | 374 |
Urheberrecht | |
3 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
action actor admirable appeared audience Barry beauty Booth Brabantio Brook Cassio century character Cibber conception Cordelia costumes critic curtain daughters David Garrick Desdemona Donald Wolfit dramatic Drury Lane Edgar Edmund Edmund Kean Edwin Booth effect Elizabethan Emilia emotional essay date expression eyes feel Fool Forrest Garrick gesture give Gloucester Goneril heart Henry Irving Iago Iago's imagination interpretation Irving Irving's jealousy John Gielgud Kean Kean's Kemble Kent King Lear Lear's lines London look Macready mance ment mind Miss Moor nature never night noble Old Vic Olivier Olivier's Othello passion pathos performance Peter Brook play's players portrayal rage Regan review date Robeson Roderigo role Romeo and Juliet Salvini scene Scofield seems sense Shake Shakespeare speak speech stage storm Stratford suggested Theatre theatrical thing thou thought tion Tommaso Salvini tone tragedy tragic voice whole Wolfit words