Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 11Gale Research Company, 1984 |
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Seite 310
... Cassio suggests that his kiss of greeting to Emilia is a sign of " breeding " not likely to be seen in Iago . Shortly thereafter the rivalry between courtier and campaign- er is again brought to the fore when Cassio observes of Iago's ...
... Cassio suggests that his kiss of greeting to Emilia is a sign of " breeding " not likely to be seen in Iago . Shortly thereafter the rivalry between courtier and campaign- er is again brought to the fore when Cassio observes of Iago's ...
Seite 339
... Cassio's ship . It is growing lighter . Cassio en- ters L , not from the central platform , thronged by citizens . He wears armour and a helmet . Cries of ' A sail , a sail ! ' are heard . Soon - not directly - after , guns thunder a ...
... Cassio's ship . It is growing lighter . Cassio en- ters L , not from the central platform , thronged by citizens . He wears armour and a helmet . Cries of ' A sail , a sail ! ' are heard . Soon - not directly - after , guns thunder a ...
Seite 340
... Cassio - they enter down R after the dance is over - about over - stepping the limits of merry - making . Cassio's drunkenness follows the easier . When Othello enters after the fight you can get a good point by letting him stalk about ...
... Cassio - they enter down R after the dance is over - about over - stepping the limits of merry - making . Cassio's drunkenness follows the easier . When Othello enters after the fight you can get a good point by letting him stalk about ...
Inhalt
King Lear | 1 |
Othello | 179 |
Romeo and Juliet | 374 |
Urheberrecht | |
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action actor admirable appeared audience Barry beauty Booth Brabantio Brook Cassio century character Cibber conception Cordelia costumes critic curtain daughters David Garrick Desdemona Donald Wolfit dramatic Drury Lane Edgar Edmund Edmund Kean Edwin Booth effect Elizabethan Emilia emotional essay date expression eyes feel Fool Forrest Garrick gesture give Gloucester Goneril heart Henry Irving Iago Iago's imagination interpretation Irving Irving's jealousy John Gielgud Kean Kean's Kemble Kent King Lear Lear's lines London look Macready mance ment mind Miss Moor nature never night noble Old Vic Olivier Olivier's Othello passion pathos performance Peter Brook play's players portrayal rage Regan review date Robeson Roderigo role Romeo and Juliet Salvini scene Scofield seems sense Shake Shakespeare speak speech stage storm Stratford suggested Theatre theatrical thing thou thought tion Tommaso Salvini tone tragedy tragic voice whole Wolfit words