The Principles of Rhetoric and English Composition for Japanese Students, Band 1Z.P. Maruya & Company, 1897 |
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Seite vi
... Harmony explained .. ... 128. Value of rules for Harmony .... ( a ) . Harsh Combinations of letters . ( b ) . Sharp and flat sounds do not combine ... ( c ) . Too many consonant sounds ... ... ... . 159 . 159 . 152 . ... 154 . 157 ...
... Harmony explained .. ... 128. Value of rules for Harmony .... ( a ) . Harsh Combinations of letters . ( b ) . Sharp and flat sounds do not combine ... ( c ) . Too many consonant sounds ... ... ... . 159 . 159 . 152 . ... 154 . 157 ...
Seite vii
... Harmony of alternation of consonant and vowel ... ( e ) . The same sound to be avoided between two words . ( f ) . Too many affixes bad ... ( g ) . Unaccented vowels . ( h ) . Repetition of sound . ... ... ... ... ... ( i ) ...
... Harmony of alternation of consonant and vowel ... ( e ) . The same sound to be avoided between two words . ( f ) . Too many affixes bad ... ( g ) . Unaccented vowels . ( h ) . Repetition of sound . ... ... ... ... ... ( i ) ...
Seite 21
... harmony of rhythm , is the vast superiority of the chaste , vigorous , manly style of the Greek orators . and writers more conspicuous than in the abstinent use of their prodigious powers of expression . A single phrase -- sometimes a ...
... harmony of rhythm , is the vast superiority of the chaste , vigorous , manly style of the Greek orators . and writers more conspicuous than in the abstinent use of their prodigious powers of expression . A single phrase -- sometimes a ...
Seite 90
... Harmony of language . In reference to the use of the Figures of Speech , we may distinguish the following styles ; - The follow- ( a ) . Dry Style is entirely devoid of ornament , and is suitable only for abstruse didactic writings ...
... Harmony of language . In reference to the use of the Figures of Speech , we may distinguish the following styles ; - The follow- ( a ) . Dry Style is entirely devoid of ornament , and is suitable only for abstruse didactic writings ...
Seite 158
W[illiam] D[ouglas]. Cox. 158 HARMONY . 127. Harmony in style has reference to rhythm ( a smooth and easy flow of words that pleases the ear ) . It makes words a concord of sweet sounds . When not destructive of clearness or strength it ...
W[illiam] D[ouglas]. Cox. 158 HARMONY . 127. Harmony in style has reference to rhythm ( a smooth and easy flow of words that pleases the ear ) . It makes words a concord of sweet sounds . When not destructive of clearness or strength it ...
Häufige Begriffe und Wortgruppen
adjective adjuncts adverbial allusions Anglo-Saxon animal Antithesis Apophasis avoided beauty called Charles Dickens clauses clear Climax combined comparison composition Conciseness consists death degree of novelty difficulty distinguish Dryden effect emotion English Epigram Examples excited explain expression fault feeling Figures of Speech genius give Grammar grandeur grave Harmony heart heaven Hence Herbert Spencer Humour Hyperbole ideas imagination important impression inverted Japanese John Bunyan kind light literal literature look Lord Macaulay Macaulay meaning Metaphor Metonymy Milton mind nature Nelly Gray never noun number of words o'er object obscurity passage Pathos Personification phrases picturesque plain pleasure Pleonasm poet poetry Pope principles produced Professor Bain pronoun Quintilian reader reference Rhetoric rules Saxon says sense sentence Shakspere Simile sometimes sound student style sublime Synecdoche Taste Tautology thee thing thou thought tion Transferred Epithet trope unity verb whole writer
Beliebte Passagen
Seite 116 - BREATHES there the man with soul so dead Who never to himself hath said, This is my own, my native land ? Whose heart hath ne'er within him burned, As home his footsteps he hath turned, From wandering on a foreign strand ? If such there breathe, go mark him well...
Seite 50 - I see before me the Gladiator lie : He leans upon his hand ; his manly brow Consents to death, but conquers agony, And his drooped head sinks gradually low : And through his side the last drops, ebbing slow From the red gash, fall heavy, one by one, Like the first of a thunder-shower ; and now The arena swims around him ; he is gone, Ere ceased the inhuman shout which hailed the wretch who won.
Seite 146 - Not distant far from thence a murmuring sound Of waters issued from a cave, and spread Into a liquid plain, then stood unmoved, Pure as the expanse of heaven; I thither went With unexperienced thought, and laid me down On the green bank, to look into the clear Smooth lake, that, to me, seem'd another sky.
Seite 132 - The other shape, If shape it might be called, that shape had none Distinguishable in member, joint, or limb...
Seite 129 - The sky is changed ! — and such a change ! Oh night, And storm, and darkness, ye are wondrous strong, Yet lovely in your strength, as is the light Of a dark eye in woman ! Far along, From peak to peak, the rattling crags among Leaps the live thunder...
Seite 48 - Hovered thy spirit o'er thy sorrowing son, Wretch even then, life's journey just begun ? Perhaps thou gavest me, though unfelt, a kiss ; Perhaps a tear, if souls can weep in bliss ; Ah, that maternal smile, it answers yes...
Seite 141 - This many summers in a sea of glory, But far beyond my depth: my high-blown pride At length broke under me, and now has left me, Weary and old with service, to the mercy Of a rude stream that must for ever hide me.
Seite 156 - As Sir Roger is landlord to the whole congregation, he keeps them in very good order, and will suffer nobody to sleep in it besides himself; for if, by chance, he has been surprised into a short nap at sermon, upon recovering out of it he stands up and looks about him, and, if he sees anybody else nodding, either wakes them himself, or sends his servants to them.
Seite 131 - Whence all but him had fled ; The flame that lit the battle's wreck Shone round him o'er the dead. Yet beautiful and bright he stood, As born to rule the storm — A creature of heroic blood, A proud, though childlike form. The flames rolled on — he would not go Without his father's word ; That father, faint in death below, His voice no longer heard.
Seite 154 - Live while you live, the Epicure would say, And seize the pleasures of the present day. Live while you live, the sacred Preacher cries, And give to God each moment as it flies.