The Homoerotics of Early Modern Drama

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Cambridge University Press, 04.09.1997 - 216 Seiten
This book is the first comprehensive account of homoeroticism in Renaissance drama. Mario DiGangi analyses the relation between homoeroticism and social power in a wide range of literary and historical texts from the 1580s to the 1620s, drawing on the insights of materialist, feminist and queer theory. Each chapter focuses on the homoerotics of a major dramatic genre (Ovidian comedy, satiric comedy, tragedy and tragicomedy) and studies the ideologies and institutions it characteristically explores.
 

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Inhalt

Introduction
1
The homoerotics of marriage in Ovidian comedy
29
The homoerotics of mastery in satiric comedy
64
The homoerotics of favoritism in tragedy
100
The homoerotics of masculinity in tragicomedy
134

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