Shakespearean CriticismGale Research International, Limited, 1992 - 568 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
Im Buch
Ergebnisse 1-3 von 84
Seite 82
... tragic figure , and this means , as Peter Brook put it at the time of his 1978 RSC production , that " she becomes simpler and simpler " in the last Act ( The Times , 18 October 1978 ) . Not that Judi Dench missed any subtleties here ...
... tragic figure , and this means , as Peter Brook put it at the time of his 1978 RSC production , that " she becomes simpler and simpler " in the last Act ( The Times , 18 October 1978 ) . Not that Judi Dench missed any subtleties here ...
Seite 203
... tragic hero , does not see himself going to any more normal place of refuge ( when he next meets his wife , he is specific , for example , that he has not been with another woman ) but he now under- stands that he will exist in another ...
... tragic hero , does not see himself going to any more normal place of refuge ( when he next meets his wife , he is specific , for example , that he has not been with another woman ) but he now under- stands that he will exist in another ...
Seite 426
... tragic waste when his impulsive suicide with- draws him from the play . To portray him otherwise is to deprive the drama of texture , colour , energy , and tragic force . The role of Antony requires a fine presence , athletic good looks ...
... tragic waste when his impulsive suicide with- draws him from the play . To portray him otherwise is to deprive the drama of texture , colour , energy , and tragic force . The role of Antony requires a fine presence , athletic good looks ...
Inhalt
Antony and Cleopatra | 1 |
Coriolanus | 124 |
Comparisons and Overviews | 227 |
Urheberrecht | |
7 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
acting action actors Antony and Cleopatra Antony's appearance assassination audience Aufidius battle Berkoff Booth Brecht Brook Brutus Brutus's Cæsar Casca Cassius cast character Cinna classical Comédie-Française conspirators Corio Coriolanus Coriolanus's costumes critic crowd death director dramatic dress Drury Lane duction Edith Evans effect Elizabethan Enobarbus essay date film Forum scene Garrick Gielgud Glen Byam Glen Byam Shaw hero Irving John John Gielgud Julius Caesar Kemble Kemble's lanus lines London look mance Mark Antony Martius Meiningen Menenius ment Michael modern never night Octavius Old Vic Olivier Olivier's passion patrician performance Peter Hall play's poet political portrayal praise present production of Julius review date Review of Julius revival role Roman Rome Royal Shakespeare Company scenery seems Shake Shakespeare's play soldiers speare speare's speech stage Stratford Terry Hands Theatre theatrical tion tragedy tragic Trevor Nunn tribunes Volscian Volumnia Welles's