Shakespearean CriticismGale Research International, Limited, 1992 - 568 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 411
... play was shown in three Acts , the first to the end of 3. I , the second the rest of Act 3 , and the third from 4. 2 to the end . The proscription scene ( 4. I ) was cut out as by Kemble , though Ligarius's entry in 2. I and the killing ...
... play was shown in three Acts , the first to the end of 3. I , the second the rest of Act 3 , and the third from 4. 2 to the end . The proscription scene ( 4. I ) was cut out as by Kemble , though Ligarius's entry in 2. I and the killing ...
Seite 437
... play's acceptance as an actable drama . Peter Brook's land- mark staging of Titus in 1955 , however , proved that the play could be effectively performed before modern audi- ences . In succeeding decades Titus has enjoyed a more fre ...
... play's acceptance as an actable drama . Peter Brook's land- mark staging of Titus in 1955 , however , proved that the play could be effectively performed before modern audi- ences . In succeeding decades Titus has enjoyed a more fre ...
Seite 490
... play , Crosse found it ' thoroughly enjoyable ' and Montague Summers , who was lyrical in praise of both the play and the performance , observed correctly [ in the introduction to his edition of John Downes , Roscius Anglicanus ] that ...
... play , Crosse found it ' thoroughly enjoyable ' and Montague Summers , who was lyrical in praise of both the play and the performance , observed correctly [ in the introduction to his edition of John Downes , Roscius Anglicanus ] that ...
Inhalt
Antony and Cleopatra | 1 |
Coriolanus | 124 |
Comparisons and Overviews | 227 |
Urheberrecht | |
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acting action actors Antony and Cleopatra Antony's appearance assassination audience Aufidius battle Berkoff Booth Brecht Brook Brutus Brutus's Cæsar Casca Cassius cast character Cinna classical Comédie-Française conspirators Corio Coriolanus Coriolanus's costumes critic crowd death director dramatic dress Drury Lane duction Edith Evans effect Elizabethan Enobarbus essay date film Forum scene Garrick Gielgud Glen Byam Glen Byam Shaw hero Irving John John Gielgud Julius Caesar Kemble Kemble's lanus lines London look mance Mark Antony Martius Meiningen Menenius ment Michael modern never night Octavius Old Vic Olivier Olivier's passion patrician performance Peter Hall play's poet political portrayal praise present production of Julius review date Review of Julius revival role Roman Rome Royal Shakespeare Company scenery seems Shake Shakespeare's play soldiers speare speare's speech stage Stratford Terry Hands Theatre theatrical tion tragedy tragic Trevor Nunn tribunes Volscian Volumnia Welles's