Shakespearean CriticismGale Research International, Limited, 1992 - 568 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
Im Buch
Ergebnisse 1-3 von 84
Seite 99
... figure and limbs and plainly allowed to be seen every contortion of the body . " The critic for the Star [ 9 January 1889 ] began by saying that the women of Cleo- patra's " time knew full well that the female figure was most attractive ...
... figure and limbs and plainly allowed to be seen every contortion of the body . " The critic for the Star [ 9 January 1889 ] began by saying that the women of Cleo- patra's " time knew full well that the female figure was most attractive ...
Seite 176
... figure . When John Barton directed the play in 1967 , he pointed out in a program note that Menenius is usually played as " a centre of sympathy , a choric figure , " but sug- gested that we should see him rather as a " political old ...
... figure . When John Barton directed the play in 1967 , he pointed out in a program note that Menenius is usually played as " a centre of sympathy , a choric figure , " but sug- gested that we should see him rather as a " political old ...
Seite 499
... figure , will obviously keep his oath to Aaron and nurture the child ( Warner ) , the playgoer can come away at the end of this tragedy with a sense of ordering , of knitting the scattered limbs back together , especially if Lucius has ...
... figure , will obviously keep his oath to Aaron and nurture the child ( Warner ) , the playgoer can come away at the end of this tragedy with a sense of ordering , of knitting the scattered limbs back together , especially if Lucius has ...
Inhalt
Antony and Cleopatra | 1 |
Coriolanus | 124 |
Comparisons and Overviews | 227 |
Urheberrecht | |
7 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
acting action actors Antony and Cleopatra Antony's appearance assassination audience Aufidius battle Berkoff Booth Brecht Brook Brutus Brutus's Cæsar Casca Cassius cast character Cinna classical Comédie-Française conspirators Corio Coriolanus Coriolanus's costumes critic crowd death director dramatic dress Drury Lane duction Edith Evans effect Elizabethan Enobarbus essay date film Forum scene Garrick Gielgud Glen Byam Glen Byam Shaw hero Irving John John Gielgud Julius Caesar Kemble Kemble's lanus lines London look mance Mark Antony Martius Meiningen Menenius ment Michael modern never night Octavius Old Vic Olivier Olivier's passion patrician performance Peter Hall play's poet political portrayal praise present production of Julius review date Review of Julius revival role Roman Rome Royal Shakespeare Company scenery seems Shake Shakespeare's play soldiers speare speare's speech stage Stratford Terry Hands Theatre theatrical tion tragedy tragic Trevor Nunn tribunes Volscian Volumnia Welles's