Shakespearean CriticismGale Research International, Limited, 1992 - 568 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 130
... feeling , as in Penruddock , or [ August von Kotzebue's ] The Stranger , in Coriolanus , [ Joseph Ad- dison's ] Cato , and some others , where all the passions move round a central point , and are governed by one master - key , he stood ...
... feeling , as in Penruddock , or [ August von Kotzebue's ] The Stranger , in Coriolanus , [ Joseph Ad- dison's ] Cato , and some others , where all the passions move round a central point , and are governed by one master - key , he stood ...
Seite 404
... feeling for the late Roman Republic ( or Shakespeare's version of it - whenever Shakespeare depicts ancient Rome , it is always a harsh , puritanical place ) . Lindsay W. Davis ' authentic Roman costumes enhanced this feeling , although ...
... feeling for the late Roman Republic ( or Shakespeare's version of it - whenever Shakespeare depicts ancient Rome , it is always a harsh , puritanical place ) . Lindsay W. Davis ' authentic Roman costumes enhanced this feeling , although ...
Seite 429
... feeling or cool , hard opportunism . Brutus , played by Harry An- drews , was a perfect foil to Gielgud's fervid brilliance ; he was gentle , mild , quiet - almost immobile in both the opening scene with Cassius and the quarrel . But he ...
... feeling or cool , hard opportunism . Brutus , played by Harry An- drews , was a perfect foil to Gielgud's fervid brilliance ; he was gentle , mild , quiet - almost immobile in both the opening scene with Cassius and the quarrel . But he ...
Inhalt
Antony and Cleopatra | 1 |
Coriolanus | 124 |
Comparisons and Overviews | 227 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
acting action actors Antony and Cleopatra Antony's appearance assassination audience Aufidius battle Berkoff Booth Brecht Brook Brutus Brutus's Cæsar Casca Cassius cast character Cinna classical Comédie-Française conspirators Corio Coriolanus Coriolanus's costumes critic crowd death director dramatic dress Drury Lane duction Edith Evans effect Elizabethan Enobarbus essay date film Forum scene Garrick Gielgud Glen Byam Glen Byam Shaw hero Irving John John Gielgud Julius Caesar Kemble Kemble's lanus lines London look mance Mark Antony Martius Meiningen Menenius ment Michael modern never night Octavius Old Vic Olivier Olivier's passion patrician performance Peter Hall play's poet political portrayal praise present production of Julius review date Review of Julius revival role Roman Rome Royal Shakespeare Company scenery seems Shake Shakespeare's play soldiers speare speare's speech stage Stratford Terry Hands Theatre theatrical tion tragedy tragic Trevor Nunn tribunes Volscian Volumnia Welles's