Introduction to the Language and Verse of HomerGinn & Company, 1885 - 104 Seiten |
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... forms and metrical peculiarities , and to call the student's attention to the most noteworthy characteristics of Homeric style and syntax . In reading Homer , certain questions , which cannot be avoided , as to the origin and rela- tion ...
... forms and metrical peculiarities , and to call the student's attention to the most noteworthy characteristics of Homeric style and syntax . In reading Homer , certain questions , which cannot be avoided , as to the origin and rela- tion ...
Seite
... Forms ..55 1. Asyndeton 18 20. Adjectives ..56 o . Chiasmus p . Epanalepsis 19 21. Patronymics ..57 20 22. Comparison of Adjectives ... 59 r . Litotes ... s . Periphrasis t . Zeugma . u . Hysteron Proteron .20 23. Numerals ..60 21 24 ...
... Forms ..55 1. Asyndeton 18 20. Adjectives ..56 o . Chiasmus p . Epanalepsis 19 21. Patronymics ..57 20 22. Comparison of Adjectives ... 59 r . Litotes ... s . Periphrasis t . Zeugma . u . Hysteron Proteron .20 23. Numerals ..60 21 24 ...
Seite 2
... form of oration as are most apt for the language into which they are converted . If I have not turned him in any place falsly ( as all other his interpreters have in many , and most of his chiefe places ; ) if I have not left behind me ...
... form of oration as are most apt for the language into which they are converted . If I have not turned him in any place falsly ( as all other his interpreters have in many , and most of his chiefe places ; ) if I have not left behind me ...
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... form a closer connec- tion with a following amplifying clause , as μήνιν ἄειδε θεά . . | οὐλομένην , ἣ μυρί ' Αχαιοῖς ἄλγε ' ἔθηκεν Α 1 f . , where the rela- tive clause explains οὐλομένην : the wrath was mortal , deadly , because it ...
... form a closer connec- tion with a following amplifying clause , as μήνιν ἄειδε θεά . . | οὐλομένην , ἣ μυρί ' Αχαιοῖς ἄλγε ' ἔθηκεν Α 1 f . , where the rela- tive clause explains οὐλομένην : the wrath was mortal , deadly , because it ...
Seite 13
... form , as ὄψιμον ὀψιτέλεστον Β 325 , κεῖτο μέγας μεγαλωστί Σ 26 , ἀπώλετο λυγρῷ ὀλέθρῳ γ 87 . t . EPEXEGESIS . A clause is often added epexegetically , to explain a preceding clause or word , as νημερτέα βουλήν , νόστον Οδυσσῆος ...
... form , as ὄψιμον ὀψιτέλεστον Β 325 , κεῖτο μέγας μεγαλωστί Σ 26 , ἀπώλετο λυγρῷ ὀλέθρῳ γ 87 . t . EPEXEGESIS . A clause is often added epexegetically , to explain a preceding clause or word , as νημερτέα βουλήν , νόστον Οδυσσῆος ...
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Häufige Begriffe und Wortgruppen
accent adjectives Adverbs Aeolic aorist apocope asyndeton Attic Bucolic diaeresis caesura clause collateral forms consonant contracted dactyl dative declension diaeresis dialect diphthong edition elision ending English epithets feminine fourth foot frequent genitive hiatus Homer Iliad Latin lengthened metre metrical mute noun Odyssey optative original participle patronymic pause Pindar plural poems poet preposition Professor pronoun proper names quantity rare reduplication second aorist sentences short syllable short vowel singular sometimes spondee stem subjunctive suffix synizesis third foot translation uncontracted verbs verse vowel word ἀλλ ἀνδρῶν ἀπὸ ἄρ Αχαιών γὰρ δὲ δὴ ἐγὼ εἰ ἐκ ἐν ἐπ ἐπὶ ἐς Ζεύς καὶ κε κτλ μὲν μοι νῦν Οδυσσεύς οἱ ὃς οὔ οὐδ περὶ τε τε καὶ τὴν ὡς
Beliebte Passagen
Seite 4 - As when the moon, refulgent lamp of night, O'er Heaven's clear azure spreads her sacred light, When not a breath disturbs the deep serene, And not a cloud o'ercasts the solemn scene ; Around her throne the vivid planets roll, And stars unnumber'd gild the glowing pole, O'er the dark trees a yellower verdure shed, And tip with silver every mountain's head...
Seite 22 - And all their echoes mourn. The willows and the hazel copses green Shall now no more be seen Fanning their joyous leaves to thy soft lays. As killing as the canker to the rose...
Seite 3 - ... a shortness and gravity: not to neglect even the little figures and turns on the words, nor sometimes the very cast of the periods ; neither to omit nor confound any rites or customs of antiquity : perhaps too he ought to include the whole in a shorter compass than has hitherto been done by any translator, who has tolerably preserved either the sense or poetry.
Seite 22 - So hand in hand they pass'd, the loveliest pair, That ever since in love's embraces met; Adam the goodliest man of men since born His sons, the fairest of her daughters Eve.
Seite 3 - Around her throne the vivid planets roll, And stars unnumber'd gild the glowing pole, O'er the dark trees a yellower verdure shed, And tip with silver every mountain's head ; Then shine...
Seite 4 - O'er the dark trees a yellower verdure shed, And tip with silver every mountain's head ; Then shine the vales, the rocks in prospect rise, A flood of glory bursts from all the skies ; The conscious swains, rejoicing in the sight, Eye the blue vault, and bless the useful light. So many flames before proud Ilion blaze, And lighten glimmering Xanthus with their rays ; The long reflections of the distant fires Gleam on the walls, and tremble on the spires. A thousand piles the dusky horrors gild, And...
Seite 2 - THE ILIADS OF HOMER, Prince of Poets, never before in any Language truly translated, with a Comment on some of his chief Places. Done according to the Greek by GEORGE CHAPMAN, with Introduction and Notes by the Rev.
Seite 3 - That which in my opinion ought to be the endeavour of any one who translates Homer, is above all things to keep alive that spirit and fire which makes his chief character...
Seite 3 - So many fires disclosed their beams, made by the Trojan part, Before the face of Ilion, and her bright turrets show'd. A thousand courts of guard kept fires, and every guard allow'd Fifty stout men, by whom their horse eat oats and hard white corn, And all did wishfully expect the silver-throned morn.
Seite 4 - Difficult also, without sinking below the level of poetry, to harness mules to a wagon, particularizing every article of their furniture, straps, rings, staples, and even the tying of the knots that kept all together. HOMER, who writes always to the eye, with all his sublimity and grandeur, has the minuteness of a Flemish painter.