Shakespearean Criticism: Excerpts from the Criticism of William Shakespeare's Plays and Poetry, from the First Published Appraisals to Current Evaluations, Band 35Gale Research Company, 1984 |
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Seite 36
... scene ii of Michael Benthall's 1956 Old Vic staging . inevitable in a court play , it presents the side of James I ... scene together after the murder , Macbeth is com- plaining of " The torture of the mind to lie / In restless ecstasy ...
... scene ii of Michael Benthall's 1956 Old Vic staging . inevitable in a court play , it presents the side of James I ... scene together after the murder , Macbeth is com- plaining of " The torture of the mind to lie / In restless ecstasy ...
Seite 37
... scene 1 , lines 80-81 ) . His following remark , " More needs she the divine than the physician " ( act V , scene 1 , line 82 ) , is ambiguous . In one sense , it might imply that she as well as Macbeth is truly bewitched and that the ...
... scene 1 , lines 80-81 ) . His following remark , " More needs she the divine than the physician " ( act V , scene 1 , line 82 ) , is ambiguous . In one sense , it might imply that she as well as Macbeth is truly bewitched and that the ...
Seite 396
... scene ( Act III , scene iv ) 16 : 259 ; 21 : 151 , 334 , 392 ; 35 : 204 , 229 costume 21 : 81 death , decay , or corruption 1 : 144 , 153 , 188 , 198 , 221 , 242 ; 13 : 502 ; 28 : 280 , 311 ; 35 : 241 dumbshow and play scene ( Act III , ...
... scene ( Act III , scene iv ) 16 : 259 ; 21 : 151 , 334 , 392 ; 35 : 204 , 229 costume 21 : 81 death , decay , or corruption 1 : 144 , 153 , 188 , 198 , 221 , 242 ; 13 : 502 ; 28 : 280 , 311 ; 35 : 241 dumbshow and play scene ( Act III , ...
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A. C. Bradley action anger appears audience becomes behavior Brabantio Brutus Cassio cause character Claudius critics Cyprus death delusional jealousy demona Denmark Desdemona discourse divine double bind drama Elizabethan Emilia emotional essay date evil F. R. Leavis father feel Fortinbras Freud Gertrude Gertrude's Ghost grief guilt Hamlet handkerchief heaven hero Horatio human husband Iago Iago's innocence jealous jealousy justice kill King King Lear Laertes language Lear Leontes lines London Macbeth madness marriage means melancholia melancholy ment mental mind moral mother murder nature ness never noble Ophelia Othello passion person play play's plot Polonius Prince psychological Queen reason Renaissance represents revenge revenge tragedy Roderigo role Rosencrantz and Guildenstern says scene seems sense sexual Shake Shakespeare Shakespearean Tragedy soliloquy soul speaks speech stage suggests suicide superego thee thou tion tragedy tragic victim whore wife witchcraft witches woman women words York