Themes and Variations in Shakespeare's Sonnets
Routledge, 15.04.2013 - 256 Seiten
First published in 1961.
This study analyses Shakespeare's treatment of the universal themes of Beauty, Love and Time. He compares Shakespeare with other great poets and sonnet writers - Pindar, Horace and Ovid, with Petrarch, Tasso and Ronsart, with Shakespeare's own English predecessors and contemporaries, notably Spenser, Daniel and Drayton and with John Donne.
By discussing their resemblances and differences, a not altogether orthodox picture of Shakespeare's attitude to life is presented, which suggests that he was not as phlegmatic and equable a person as critics have often supposed.
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II DEVOURING TIME AND FADING BEAUTY FROM THE GREEK ANTHOLOGY TO SHAKESPEARE
III HYPERBOLE AND RELIGIOUSNESS IN SHAKESPEARES EXPRESSIONS OF HIS LOVE
Firstline index of Sonnets quoted or mentioned
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achieve Aeschylus allusion Amores amours ancient love-poetry Antony and Cleopatra appears beginning Bellay beloved called carpe florem celebrated Chaucer Christian comparable compensation Daniel Dark Lady death declares Defier despite distinction Donne Donne's doth Drayton edition elegy Elizabethan eternal example expression eyes fame flowers Greek Anthology hath heaven Herbert Horace Horace's Horatian hyperbole idea imitated ingrateful beauty inspired Kassner kind Laura lines love's lover Mary Fitton means memorable merely metaphor Michelangelo mistress Muses never odes Othello Ovid Ovid's partly passages perhaps periphrasis Petrarch Petrarch and Ronsard Petrarchan phrase Pindar Platonism poems poetry poets possible professes Propertius Puttenham quoted recognised regarded religious Renaissance Renaissance poets Ronsard seems sense Shakespeare Shakespeare's sonnets sonnet 74 sonnets written soul Spenser spirit stanzas style suggested sweet Tasso thee theme things thou Tibullus Time's topic tragedies transience true verse Vittoria Colonna word writing written during absence youth