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The Influence of Christopher Marlowe on Shakspere's Earlier Style: Being the ...
Arthur Wilson Verity
Keine Leseprobe verfügbar - 2016
The Influence of Christopher Marlowe on Shakspere's Earlier Style, Being the ...
A. W. (Arthur Wilson) Verity
Keine Leseprobe verfügbar - 2012
action audience beginning blank verse called characters classical comedy contains couplet course Court critics death definite developed Dido drama dramatist earlier Edward Edward II effect Elizabethan employed English expression fact Faustus figure force fortune give Greek Greene hand heart heaven Henry iambic idea imagination instance interest introduction Italy king language latter least less light lines literature live look Malta marked Marlowe Marlowe's means merely metre mind Moral move naturally never non-Shaksperian once passage passing passion Peele perhaps piece play poet poet's poetry probably produced queen question represents rest rhyme Richard Richard III rule scene seems sense Shakspere Shakspere's short speaks speech stage style suggests syllable Tamburlaine things thou thought Titus Andronicus touch tragedy true turn whole writers written wrote
Seite 11 - Do not all charms fly At the mere touch of cold philosophy ? There was an awful rainbow once in heaven : We know her woof, her texture ; she is given In the dull catalogue of common things. Philosophy will clip an Angel's wings, Conquer all mysteries by rule and line, Empty the haunted air and gnomed mine — Unweave a rainbow, as it erewhile made The tender-person'd Lamia melt into a shade.
Seite 66 - Had fed the feeling of their masters' thoughts, And every sweetness that inspir'd their hearts, Their minds and muses on admired themes; If all the heavenly quintessence they still From their immortal flowers of poesy, Wherein as in a mirror we perceive The highest reaches of a human wit — If these had made one poem's period, And all combin'd in beauty's worthiness, Yet should there hover in their restless heads One thought, one grace, one wonder, at the least, Which into words no virtue can digest.
Seite 80 - And, seeing there was no place to mount up higher, Why should I grieve at my declining fall? — Farewell, fair queen; weep not for Mortimer, That scorns the world, and, as a traveller, Goes to discover countries yet unknown.
Seite 36 - Half-grown as yet, a child, and vain — She cannot fight the fear of death. What is she, cut from love and faith. But some wild Pallas from the brain Of Demons? fiery-hot to burst All barriers in her onward race For power. Let her know her place; She is the second, not the first.
Seite 53 - And such conceits as clownage keeps in pay, We'll lead you to the stately tent of war, Where you shall hear the Scythian Tamburlaine Threatening the world with high astounding terms, And scourging kingdoms with his conquering sword< View but his picture in this tragic glass.
Seite 82 - Set you down this ; And say besides, that in Aleppo once, Where a malignant and a turban'd Turk Beat a Venetian and traduced the state, I took by the throat the circumcised dog, And smote him, thus.
Seite 48 - Now by the malice of the angry skies, Whose jealousy admits no second mate, Draws in the comfort of her latest breath, All dazzled with the hellish mists of death. Now walk the angels on the walls of Heaven, As sentinels to warn the immortal souls To entertain divine Zenocrate.
Seite 31 - Our souls, whose faculties can comprehend The wondrous architecture of the world, And measure every wandering planet's course, Still climbing after knowledge infinite, And always moving as the restless spheres, Will us to wear ourselves, and never rest, Until we reach the ripest fruit of all, That perfect bliss and sole felicity, The sweet fruition of an earthly crown.