The Creators

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Random House, 1992 - 811 Seiten
In this engrossing companion to his bestselling The Discoverers, Pulitzer Prize-winning historian Daniel J. Boorstin brings to life more that three thousand years of achievement in the arts. The Discoverers, which has been translated into twenty languages, gave us an epic of the quest to understand the world, from the heavens to the human heart. Now Boorstin puts flesh on the great figures who have created our cultural heritage, from the pyramid builders to Picasso, enriching our world with architectures, painting, sculpture, music, drama, dance, and literature. This is a surprising story from the very beginning. The ancient Hindus and the Buddhists were untroubled by the mystery of Creation. So, too, the Chinese saw history as a series of cycles without beginning or end. And Islam found the very notion of Creation unappealing. But our Judeo-Christian tradition--Moses and Saint Augustine among others--gave us a prophetic vision of Man the Creator in the image of a Creator-God. In this suspenseful narrative brimming with lively biographical incident, we see Dante, Chaucer, Rabelais, Cervantes, Shakespeare, and other great creators deftly placed in the unique circumstances of their times. For Boccaccio the plague offered a challenge to entertain with a hundred still-remembered tales. Brunelleschi designed the elegant dome of the cathedral in Florence to save his proud city the disgrace of an unfinished monument. And Michelangelo's commission to paint the curved, lunetted ceiling of the Sistine Chapel arose from his rivals' efforts to discredit an inexperienced painter with an impossible task. We see, too, how the challenge to Walt Whitman, Frank Lloyd Wright, Isadora Duncan, and others grew out of the experience of their age. Nor were the creators daunted by any obstacle--not the blindness of Milton, the impaired vision of a Prescott, Parkman, or Joyce, the deafness of a Beethoven, the asthma of a bedridden Proust, the dreariness of T. S. Eliot's life as a bank clerk, nor the confinement of female roles that made Virginia Woolf a unique explorer of the self. The familiar names become living heroes of the imagination as Boorstin captures their efforts to re-create the world in a composite Human Comedy--fashioned from the absurdities of Rabelais, the illusions of Don Quixote, Gibbon's view of ancient empires, Balzac's novels of love and money, Dickens's popular sagas of struggle and triumph. We see Western painting move from the craft tradition to the intuitions of Giotto, the science-enriched visions of Leonardo, the personal painted moments of Monet, and the ruthless visions of Picasso. Western music, once a domain of Gregorian chant, becomes the secular world of Haydn aiming to please his prince, which widens into the public-concert communities of Mozart and Beethoven, and the nation-shaping operas of Verdi and Wagner. Boorstin brings us to the modern climax--creating the self and probing the Wilderness Within, in Montaigne, Rousseau, and the tantalizing works of Melville, Dostoyevsky, and Kafka. Wonderful wide-ranging portraits inspire us with awe for the unpredictable artist--the Goethe, the Coleridge, the Sergei Eisenstein, the Martha Graham, the Stravinsky. The creators is epic history. It is also a mystery story of the restless, questing human spirit, written with all the excitement and authority Daniel J. Boorstin brought to The Discoverers.

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Inhalt

A PROLOGUE PART I WORLDS WITHOUT BEGINNING 1 The Dazzled Vision of the Hindus
4
The Indifference of Confucius
9
The Silence of the Buddha
19
Urheberrecht

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Autoren-Profil (1992)

A prolific writer, Daniel Boorstin is the author of numerous scholarly and popular works in American Studies. Born in Georgia and raised in Oklahoma, Boorstin received degrees from Harvard and Yale universities and was a Rhodes Scholar at Balliol College, Oxford. A member of the Massachusetts Bar, he has been visiting professor of American History at the Universities of Rome, Puerto Rico, Kyoto, and Geneva. He was the first incumbent of the chair of American History at the Sorbonne and Pitt Professor of American History and Institutions at Cambridge. He taught at the University of Chicago for 25 years. In 1959 Columbia University awarded him its Bancroft Prize for The Americans: The Colonial Experience (1958), the first volume of his trilogy titled The Americans. In 1966 he received the Francis Parkman Award for the second volume, The Americans: The National Experience (1965), and in 1974 he received the Pulitzer Prize for the third volume, The Americans: The Democratic Experience (1973). Many of Boorstin's books have been translated into Chinese, Japanese, and various European languages. In 1969 Boorstin became director of the National Museum of History and Technology of the Smithsonian Institution. In 1973 he became senior historian at the Smithsonian. Boorstin was appointed Librarian of Congress in 1975 and served in that position with distinction for 12 years, becoming Librarian Emeritus in 1987.

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