An Actor's Edition of Shakespeare Revisited

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AuthorHouse, 26.07.2007 - 516 Seiten

An Actor’s Edition of Shakespeare Revisited is a book for actors, directors, professors of theatre and the general public. Each of the plays has been edited for more understandability and length. The intent of the book was to make the works more accessible without making the language modern. When audiences see a Shakespeare play, they have only one time to grasp the words as they are spoken. Audience members do not have time to look at lengthy explanations or notes about words or expressions. Therefore, this edition of these five plays, presents the plays so that audience members as well as actors can follow the plays with little difficulty. Some words have been changed to accomplish this. In certain speeches, subjects or verbs were supplied for understandability. Because Shakespeare used many pronouns, these plays make use of more nouns so that the meaning of who or what is being spoken about becomes more clear.

 

The book also has some useful tools for the director and actors. A chart has been provided for each play that lists each character by act and scene. This can be very useful when there is a need to double cast actors. In addition, a “combination roles” page has also been added which gives suggestions for doubling parts for a smaller company. To help at rehearsals, page numbers for the beginning of each act and scene is provided on a single page for each play. Finally, each play has been broken into “beats” for the actor and the director. It is the hope of the author of this book that more people will find excitement in reading, performing, staging, or viewing Shakespeare because of the edited versions for understandability. Enjoy the plays---either reading or performing.

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Seite 36 - Marry, sir, nose-painting, sleep, and urine. Lechery, sir, it provokes, and unprovokes : it provokes the desire, but it takes away the performance. Therefore, much drink may be said to be an equivocator with lechery : it makes him, and it mars him ; it sets him on, and it takes him off; it persuades him, and disheartens him ; makes him stand to, and not stand to : in conclusion, equivocates him in a sleep, and, giving him the lie, leaves him. Macd. I believe, drink gave thee the lie last night. Port....
Seite 30 - Is this a dagger, which I see before me, The handle toward my hand ? Come, let me clutch thee:— I have thee not, and yet I see thee still. Art thou not, fatal vision, sensible To feeling, as to sight ? or art thou but A dagger of the mind, a false creation, Proceeding from the heat-oppressed...
Seite 181 - Tarry a little ; there is something else. This bond doth give thee here no jot of blood ; The words expressly are ' a pound of flesh : ' Take then thy bond, take thou thy pound of flesh ; But, in the cutting it, if thou dost shed One drop of Christian blood, thy lands and goods Are, by the laws of Venice, confiscate Unto the state of Venice.
Seite 177 - Though justice be thy plea, consider this, — That in the course of justice, none of us Should see salvation ; we do pray for mercy ; And that same prayer doth teach us all to render The deeds of mercy.
Seite 106 - In sooth, I know not why I am so sad : It wearies me ; you say it wearies you ; But how I caught it, found it, or came by it, What stuff 'tis made of, whereof it is born, I am to learn ; And such a want-wit sadness makes of me. That I have much ado to know myself.
Seite 149 - I am a Jew. Hath not a Jew eyes? Hath not a Jew hands, organs, dimensions, senses, affections, passions; fed with the same food, hurt with the same weapons, subject to the same diseases, healed by the same means, warmed and cooled by the same winter and summer, as a Christian is? If you prick us, do we not bleed? If you tickle us, do we not laugh? If you poison us, do we not die? And if you wrong us, shall we not revenge?
Seite 23 - The effect and it! Come to my woman's breasts, And take my milk for gall, you murdering ministers, Wherever in your sightless substances You wait on nature's mischief! Come, thick night, And pall thee in the dunnest smoke of hell, That my keen knife see not the wound it makes, Nor heaven peep through the blanket of the dark, To cry 'Hold, hold!
Seite 110 - Gratiano speaks an infinite deal of nothing, more than any man in all Venice. His reasons are as two grains of wheat hid in two bushels of chaff : you shall seek all day ere you find them, and when you have them, they are not worth the search.

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