Making the Great Book of Songs: Compilation and the Author's Craft in Abû I-Faraj al-Isbahânî's Kitâb al-aghânîRoutledge, 02.09.2003 - 448 Seiten This is the first systematic literary study of one of the masterpieces of classical Arabic literature, the fourth/tenth century Kitâb al-aghânî (The Book of Songs) by Abû I-Faraj al-Isbahânî. Until now the twenty-four volume Book of Songs has been regarded as a rather chaotic but priceless mine of information about classical Arabic music, literature and culture. This book approaches it as a work of literature in its own right, with its own internal logic and coherence. The study also consistently integrates the musical component into the analysis and proposes a reading of the work in which individual anecdotes and poems are related to the wider context, enhancing their meaning. |
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... XVII appeared some years later, it was presented as part ofa new project, namely to bring out a new edition ofthe whole work under the auspices ofa supervisory committee (or Lajna). This new edition was to consist both in the ...
... XVII appeared some years later, it was presented as part ofa new project, namely to bring out a new edition ofthe whole work under the auspices ofa supervisory committee (or Lajna). This new edition was to consist both in the ...
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... XVII, 66; XIX, 216; XXIV, 87). Abfi l—Faraj also drew on books which Ibn al—Nadim did not record. In some cases he mentions the authors, as with the collection ofsongs ofthe Tahirids compiled by 'Ubaydallah ibn 'Abdallah (XXI, 8), and ...
... XVII, 66; XIX, 216; XXIV, 87). Abfi l—Faraj also drew on books which Ibn al—Nadim did not record. In some cases he mentions the authors, as with the collection ofsongs ofthe Tahirids compiled by 'Ubaydallah ibn 'Abdallah (XXI, 8), and ...
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... (XVII, 66). The setting for Hassan ibn Thabit's two lines on the grave of al—Ayham ibn jabala ibn al—Ayham al—Ghassani definitely belongs to 'Azza al—Mayla's oeuvre (inimnia la shaleleafihi min ghina'iha), although some people mistakenly ...
... (XVII, 66). The setting for Hassan ibn Thabit's two lines on the grave of al—Ayham ibn jabala ibn al—Ayham al—Ghassani definitely belongs to 'Azza al—Mayla's oeuvre (inimnia la shaleleafihi min ghina'iha), although some people mistakenly ...
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Inhalt
1 | |
14 | |
34 | |
4 ABŪ LFARAJ ON POETRY AND POETS | 55 |
5 ABŪ LFARAJ ON PROSE AKHBĀR AND THE ARRANGEMENT OF MATERIAL | 89 |
6 ARTICLES ON SONGS EVENTS AND RELATIONSHIPS | 128 |
7 ARTICLES ON PERSONALITIES | 181 |
The common fund of material | 239 |
Prospects for further research | 278 |
Concordance of the Dār alkutub and Būlāq editions of the Kitāb alaghāni | 280 |
List of contents of the Kitāb alaghāni | 291 |
List of Kitāb alaghāni personalities referred to in this study | 321 |
NOTES | 345 |
SELECT BIBLIOGRAPHY | 412 |
INDEX OF PEOPLE AND PLACES | 423 |
INDEX OF SUBJECTS AND TERMS | 433 |
Andere Ausgaben - Alle anzeigen
Making the Great Book of Songs: Compilation and the Author's Craft in Abū L ... Hilary Kilpatrick Eingeschränkte Leseprobe - 2003 |
Making the Great Book of Songs: Compilation and the Author's Craft in Ab I ... Hilary Kilpatrick Keine Leseprobe verfügbar - 2004 |
Making the Great Book of Songs: Compilation and the Author's Craft in Abû I ... Hilary Kilpatrick Keine Leseprobe verfügbar - 2010 |
Häufige Begriffe und Wortgruppen
Abbasid Abd al—‘Aziz Abd al—Malik Abd al—Rahman Abfi Abu l—Faraj Abu Nuwas Abu Tammam Aghani Ahmad ibn akhbar al-aghani al—Ahwas al—Harith ibn al—Hasan ibn al—Husayn al—Mahdi al—Mutawakkil al—Rashid alehbar Amr ibn anecdote Arabic Arib ascribed Baghdad Basra bint Cairo caliph century compiler composed elegy final find first hadha Hassan ibn Thabit Hijaz Hisham ibn Abi ibn Abi Rabi‘a ibn al—‘Abbas ibn Hisham Ibn jami Ibn Surayj Ibrahim al—Mawsili Ibrahim ibn introductory song Ishaq al—Mawsili Islamic isnad ja‘far jarir khabar Khalid killed Kitab Kitab al-aghani Kufa Kuthayyir lines Marwan Medina mentioned Mu‘awiya Muhammad ibn Mukhariq musicians ofthe origin Song panegyrics poem poet poet’s pre—Islamic profile Prophet Qays ibn quoted recite reflects Sa‘id setting by Ibn setting by Ma‘bad Shi‘i singer singing Song lyrics sources Sulayman Tahir Tammam Top Hundred Umar ibn Abi Umar’s Umayyad verses XVII Yahya Yazid Ziyad