Byron and RomanticismCambridge University Press, 15.08.2002 - 311 Seiten This 2002 collection of essays represents twenty-five years of work by one of the most important critics of Romanticism and Byron studies, Jerome McGann. The collection demonstrates McGann's evolution as a scholar, editor, critic, theorist, and historian. His 'General Analytic and Historical Introduction' to the collection presents a meditation on the history of his own research on Byron, in particular how scholarly editing interacted with the theoretical innovations in literary criticism over the last quarter of the twentieth century. McGann's receptiveness to dialogic forms of criticism is also illustrated in this collection, which contains an interview and concludes with a dialogue between McGann and the editor. Many of these essays have previously been available only in specialist scholarly journals. Now McGann's influential work on Byron can be appreciated more widely by new generations of students and scholars. |
Im Buch
Ergebnisse 1-5 von 84
Seite 2
... kind of radical changes to them ? - Some changes to the texts , yes , but nothing that alters the semantic content in an appreciable way . What's new then ? What's new is the way we live now . Take any literary work , preserve its even ...
... kind of radical changes to them ? - Some changes to the texts , yes , but nothing that alters the semantic content in an appreciable way . What's new then ? What's new is the way we live now . Take any literary work , preserve its even ...
Seite 5
... kind of particular , goal - driven practice.2 When I began my work as a scholar , Byron and editing were both marginal literary concerns . To work on Byron in 1965 was perforce to work on a subject of " purely / merely / largely ...
... kind of particular , goal - driven practice.2 When I began my work as a scholar , Byron and editing were both marginal literary concerns . To work on Byron in 1965 was perforce to work on a subject of " purely / merely / largely ...
Seite 7
... kind of essay and would try to escape it . For a while I was much taken with the style of the polemical pamphlet , and after that with the dialogue . I tried the latter early on , in 1970 , and wrote a book in dialogue . It won a prize ...
... kind of essay and would try to escape it . For a while I was much taken with the style of the polemical pamphlet , and after that with the dialogue . I tried the latter early on , in 1970 , and wrote a book in dialogue . It won a prize ...
Seite 8
... kind of remark . It's just a way to maintain some kind of moral ground as the measure of art . Blake was perfectly right , art has no truck with morality , it's a field of revelations and imitations . Wordsworth is splendid , Byron is ...
... kind of remark . It's just a way to maintain some kind of moral ground as the measure of art . Blake was perfectly right , art has no truck with morality , it's a field of revelations and imitations . Wordsworth is splendid , Byron is ...
Seite 9
... kind of double helix , one strand " Peircean , " the other " Ochsian , " with each strand fused to the other in order to generate this new intelligent creature , this study of Peirce by Ochs . Here is Ochs's general description of what ...
... kind of double helix , one strand " Peircean , " the other " Ochsian , " with each strand fused to the other in order to generate this new intelligent creature , this study of Peirce by Ochs . Here is Ochs's general description of what ...
Inhalt
Part I | 19 |
Byron mobility and the poetics of historical ventriloquism | 36 |
My brain is feminine Byron and the poetry of deception | 53 |
What difference do the circumstances of publication make to the interpretation of a literary work? | 77 |
Byron and the anonymous lyric | 93 |
Private poetry public deception | 113 |
Hero with a thousand faces the rhetoric of Byronism | 141 |
Byron and the lyric of sensibility | 160 |
History herstory theirstory ourstory | 223 |
Literature meaning and the discontinuity of fact | 231 |
Rethinking Romanticism | 236 |
An interview with Jerome McGann | 256 |
Poetry 17801832 | 266 |
Byron and Romanticism a dialogue Jerome McGann and the editor James Soderholm | 288 |
306 | |
309 | |
Häufige Begriffe und Wortgruppen
aesthetic appears Baudelaire Blake Blake's Byron's poem Byronic hero called Canto character Charlotte Dacre Childe Harold Childe Harold's Pilgrimage Coleridge complete consciousness context contradiction critique Cruscan cultural Dante Della Cruscan dialectic Don Juan dramatic edition English Epistle to Augusta equivocal essays event example expose fact famous Fare Thee feeling figure forms Giaour human idea imagination important involved Jerome McGann Keats kind Lady Byron language lines Lord Byron Lyrical Ballads Manfred Manfred's mask masquerade McGann meaning Milton mind moral Oxford paradox passage play play's poem's poet poetical poetry problem readers reading referentiality reflection relation rhetoric Robert Southey Romanticism Sardanapalus Satan satire scene seems self-consciousness sense sentimental Shelley sincerity social Southey stanza structure studies style Tennyson textual theory things thou thought tradition truth turn University Press verse voice word Wordsworth Wordsworthian writing
Beliebte Passagen
Seite 13 - There is the moral of all human tales; 'Tis but the same rehearsal of the past, First Freedom, and then Glory — when that fails, Wealth, vice, corruption, — barbarism at last. And History, with all her volumes vast, Hath but one page...
Verweise auf dieses Buch
A Revolution Almost Beyond Expression: Jane Austen's Persuasion Jocelyn Harris Eingeschränkte Leseprobe - 2007 |