Byron and Romanticism
Cambridge University Press, 15.08.2002 - 311 Seiten
This 2002 collection of essays represents twenty-five years of work by one of the most important critics of Romanticism and Byron studies, Jerome McGann. The collection demonstrates McGann's evolution as a scholar, editor, critic, theorist, and historian. His 'General Analytic and Historical Introduction' to the collection presents a meditation on the history of his own research on Byron, in particular how scholarly editing interacted with the theoretical innovations in literary criticism over the last quarter of the twentieth century. McGann's receptiveness to dialogic forms of criticism is also illustrated in this collection, which contains an interview and concludes with a dialogue between McGann and the editor. Many of these essays have previously been available only in specialist scholarly journals. Now McGann's influential work on Byron can be appreciated more widely by new generations of students and scholars.
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Byron mobility and the poetics of historical ventriloquism
My brain is feminine Byron and the poetry of deception
What difference do the circumstances of publication make to the interpretation of a literary work?
Byron and the anonymous lyric
Private poetry public deception
Hero with a thousand faces the rhetoric of Byronism
Byron and the lyric of sensibility
Byron and Wordsworth
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