Hamlet and the Visual Arts, 1709-1900University of Delaware Press, 2002 - 405 Seiten This book examines the manner in which Shakespeare's Hamlet was perceived in the eighteenth and nineteenth centuries and represented in the available visual media. The more than 2,000 visual images of Hamlet that the author has identified both reflected the critical reception of the play and simultaneously influenced the history of the ever-changing constructed cultural phenomenon that we refer to as Shakespeare. The visual material considered in this study offers a unique perspective that complements biographical, critical, and theater history studies by showing how a broad spectrum of the literate and not-so-literate absorbed and responded to Shakespeare's works, not necessarily in academic libraries or at play performances, but in their homes, when browsing in print shops, when reading in coffee houses, or (a far rarer experience) when visiting an art gallery or exhibition. |
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Seite 162
... raised stone platform and twin circular columns at right upon which Fuseli places Hamlet and his companions . To the fore is Hamlet , legs wide apart . His body is frontal to the viewer as he faces the Ghost , his weight upon his rear ...
... raised stone platform and twin circular columns at right upon which Fuseli places Hamlet and his companions . To the fore is Hamlet , legs wide apart . His body is frontal to the viewer as he faces the Ghost , his weight upon his rear ...
Seite 178
... raised , as though she is addressing someone off to the left or as if she is contemplating something she has just ... raise both legs and stretch them out full length to show contempt for the old man ( Taranow 1996 , 145–46 ) . Audiences ...
... raised , as though she is addressing someone off to the left or as if she is contemplating something she has just ... raise both legs and stretch them out full length to show contempt for the old man ( Taranow 1996 , 145–46 ) . Audiences ...
Seite 191
... raised stage the Play Scene is being enacted . The stage is empty except for the sleeping King . We appear to be observing the short pause that occurs between the Player Queen's exit and the murderer's entrance . During the nineteenth ...
... raised stage the Play Scene is being enacted . The stage is empty except for the sleeping King . We appear to be observing the short pause that occurs between the Player Queen's exit and the murderer's entrance . During the nineteenth ...
Inhalt
Preface | 9 |
Hamlet and the Visual Arts 17091805 | 17 |
Hamlet and the Visual Arts 18051900 | 72 |
Urheberrecht | |
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actors already appeared artists attempt became body Booth Boydell chair chapter characters Charles Claudius Closet Scene Collection completed created death depicting drawing dress earlier early edition effect eighteenth engraving example exhibited extended face familiar figure flowers Folger Shakespeare Library follow foreground front further Fuseli Gallery Garrick Gertrude Ghost grave hair Hamlet hand head Henry holds Horatio illustrations images included Irving Italy John Kemble King later leans lithograph London look mentioned nineteenth century noted Ophelia original painting particular performance perhaps photograph picture placed plate play Play Scene Polonius portrait presented Press printed production published raised rear record represented reproduction right hand role Royal Sarah Bernhardt scene seated seems seen Shake shows skull stage stands suggestive sword theater Thomas tion turned viewer visual wears wood engraving York
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