Hamlet and the Visual Arts, 1709-1900University of Delaware Press, 2002 - 405 Seiten This book examines the manner in which Shakespeare's Hamlet was perceived in the eighteenth and nineteenth centuries and represented in the available visual media. The more than 2,000 visual images of Hamlet that the author has identified both reflected the critical reception of the play and simultaneously influenced the history of the ever-changing constructed cultural phenomenon that we refer to as Shakespeare. The visual material considered in this study offers a unique perspective that complements biographical, critical, and theater history studies by showing how a broad spectrum of the literate and not-so-literate absorbed and responded to Shakespeare's works, not necessarily in academic libraries or at play performances, but in their homes, when browsing in print shops, when reading in coffee houses, or (a far rarer experience) when visiting an art gallery or exhibition. |
Im Buch
Ergebnisse 1-3 von 49
Seite 372
... plate with a solution of resin in spirits of wine . Successive treatments using acids and selectively applied ... plate ( usually of copper ) . When the finished metal plate is inked and the surface of the plate is cleaned , ink remains ...
... plate with a solution of resin in spirits of wine . Successive treatments using acids and selectively applied ... plate ( usually of copper ) . When the finished metal plate is inked and the surface of the plate is cleaned , ink remains ...
Seite 373
... plate . Engraving is the technical term referring to the process whereby v - shaped incisions are made into the surface of the plate with a tool called a graver or burin . This is pushed along the surface of the plate and cuts out a ...
... plate . Engraving is the technical term referring to the process whereby v - shaped incisions are made into the surface of the plate with a tool called a graver or burin . This is pushed along the surface of the plate and cuts out a ...
Seite 374
... plate that would print a very dark design . The plate is pitted in advance and the design formed by varying the existing roughness . Highlights are then achieved by burnishing the plate quite smooth . The technique is better able to ...
... plate that would print a very dark design . The plate is pitted in advance and the design formed by varying the existing roughness . Highlights are then achieved by burnishing the plate quite smooth . The technique is better able to ...
Inhalt
Preface | 9 |
Hamlet and the Visual Arts 17091805 | 17 |
Hamlet and the Visual Arts 18051900 | 72 |
Urheberrecht | |
6 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
actors already appeared artists attempt became body Booth Boydell chair chapter characters Charles Claudius Closet Scene Collection completed created death depicting drawing dress earlier early edition effect eighteenth engraving example exhibited extended face familiar figure flowers Folger Shakespeare Library follow foreground front further Fuseli Gallery Garrick Gertrude Ghost grave hair Hamlet hand head Henry holds Horatio illustrations images included Irving Italy John Kemble King later leans lithograph London look mentioned nineteenth century noted Ophelia original painting particular performance perhaps photograph picture placed plate play Play Scene Polonius portrait presented Press printed production published raised rear record represented reproduction right hand role Royal Sarah Bernhardt scene seated seems seen Shake shows skull stage stands suggestive sword theater Thomas tion turned viewer visual wears wood engraving York
Verweise auf dieses Buch
Einführung in die Ikonographie: Wege zur Deutung von Bildinhalten Frank Büttner,Andrea Gottdang Eingeschränkte Leseprobe - 2006 |