Hamlet and the Visual Arts, 1709-1900University of Delaware Press, 2002 - 405 Seiten This book examines the manner in which Shakespeare's Hamlet was perceived in the eighteenth and nineteenth centuries and represented in the available visual media. The more than 2,000 visual images of Hamlet that the author has identified both reflected the critical reception of the play and simultaneously influenced the history of the ever-changing constructed cultural phenomenon that we refer to as Shakespeare. The visual material considered in this study offers a unique perspective that complements biographical, critical, and theater history studies by showing how a broad spectrum of the literate and not-so-literate absorbed and responded to Shakespeare's works, not necessarily in academic libraries or at play performances, but in their homes, when browsing in print shops, when reading in coffee houses, or (a far rarer experience) when visiting an art gallery or exhibition. |
Im Buch
Ergebnisse 1-3 von 21
Seite 58
... peared in 1834 , Valpy announced at the end of the volume an im- mediate re - issue of his edition , with the option of buying the plates " in one volume , handsomely bound for the Drawing - Room , price £ 1.11s.6d . " Part of Valpy's ...
... peared in 1834 , Valpy announced at the end of the volume an im- mediate re - issue of his edition , with the option of buying the plates " in one volume , handsomely bound for the Drawing - Room , price £ 1.11s.6d . " Part of Valpy's ...
Seite 314
... peared in the Illustrated London News on 23 May 1846. As in Leh- mann's depiction of Hamlet , Ophelia is presented standing and directly facing the viewer . But a crucial difference derives from his having Ophelia direct her eyes at the ...
... peared in the Illustrated London News on 23 May 1846. As in Leh- mann's depiction of Hamlet , Ophelia is presented standing and directly facing the viewer . But a crucial difference derives from his having Ophelia direct her eyes at the ...
Seite 328
... peared in 1805 in the form of an engraving by Charles Warren . It was probably based to some extent on Westall's painting ( or later engravings of it ) . However , it shows Ophelia facing forward toward the viewer rather than being ...
... peared in 1805 in the form of an engraving by Charles Warren . It was probably based to some extent on Westall's painting ( or later engravings of it ) . However , it shows Ophelia facing forward toward the viewer rather than being ...
Inhalt
Preface | 9 |
Hamlet and the Visual Arts 17091805 | 17 |
Hamlet and the Visual Arts 18051900 | 72 |
Urheberrecht | |
6 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
actors already appeared artists attempt became body Booth Boydell chair chapter characters Charles Claudius Closet Scene Collection completed created death depicting drawing dress earlier early edition effect eighteenth engraving example exhibited extended face familiar figure flowers Folger Shakespeare Library follow foreground front further Fuseli Gallery Garrick Gertrude Ghost grave hair Hamlet hand head Henry holds Horatio illustrations images included Irving Italy John Kemble King later leans lithograph London look mentioned nineteenth century noted Ophelia original painting particular performance perhaps photograph picture placed plate play Play Scene Polonius portrait presented Press printed production published raised rear record represented reproduction right hand role Royal Sarah Bernhardt scene seated seems seen Shake shows skull stage stands suggestive sword theater Thomas tion turned viewer visual wears wood engraving York
Verweise auf dieses Buch
Einführung in die Ikonographie: Wege zur Deutung von Bildinhalten Frank Büttner,Andrea Gottdang Eingeschränkte Leseprobe - 2006 |