Hamlet and the Visual Arts, 1709-1900University of Delaware Press, 2002 - 405 Seiten This book examines the manner in which Shakespeare's Hamlet was perceived in the eighteenth and nineteenth centuries and represented in the available visual media. The more than 2,000 visual images of Hamlet that the author has identified both reflected the critical reception of the play and simultaneously influenced the history of the ever-changing constructed cultural phenomenon that we refer to as Shakespeare. The visual material considered in this study offers a unique perspective that complements biographical, critical, and theater history studies by showing how a broad spectrum of the literate and not-so-literate absorbed and responded to Shakespeare's works, not necessarily in academic libraries or at play performances, but in their homes, when browsing in print shops, when reading in coffee houses, or (a far rarer experience) when visiting an art gallery or exhibition. |
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Seite 193
... holds a fan that he holds in front of his face as he stares up toward Claudius . Some two years later in January 1849 , when Charles Kean took his production of Hamlet to Windsor Castle to play for Queen Victoria , the same arrangement ...
... holds a fan that he holds in front of his face as he stares up toward Claudius . Some two years later in January 1849 , when Charles Kean took his production of Hamlet to Windsor Castle to play for Queen Victoria , the same arrangement ...
Seite 247
... holds Yorick's skull at about waist height . Dressed in a version of Elizabethan costume with plumed hat , short cloak and breeches and hose , he is looking down at the skull and gesturing with his right hand . To his right ( the ...
... holds Yorick's skull at about waist height . Dressed in a version of Elizabethan costume with plumed hat , short cloak and breeches and hose , he is looking down at the skull and gesturing with his right hand . To his right ( the ...
Seite 289
... hold over Hamlet . She possesses , what is more , a forceful sexuality far removed from the typical stage Ophelia of ... holds his right hand over his brow , wears no hat , and has a left stocking that is " down - gyved . " The exposure ...
... hold over Hamlet . She possesses , what is more , a forceful sexuality far removed from the typical stage Ophelia of ... holds his right hand over his brow , wears no hat , and has a left stocking that is " down - gyved . " The exposure ...
Inhalt
Preface | 9 |
Hamlet and the Visual Arts 17091805 | 17 |
Hamlet and the Visual Arts 18051900 | 72 |
Urheberrecht | |
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actors already appeared artists attempt became body Booth Boydell chair chapter characters Charles Claudius Closet Scene Collection completed created death depicting drawing dress earlier early edition effect eighteenth engraving example exhibited extended face familiar figure flowers Folger Shakespeare Library follow foreground front further Fuseli Gallery Garrick Gertrude Ghost grave hair Hamlet hand head Henry holds Horatio illustrations images included Irving Italy John Kemble King later leans lithograph London look mentioned nineteenth century noted Ophelia original painting particular performance perhaps photograph picture placed plate play Play Scene Polonius portrait presented Press printed production published raised rear record represented reproduction right hand role Royal Sarah Bernhardt scene seated seems seen Shake shows skull stage stands suggestive sword theater Thomas tion turned viewer visual wears wood engraving York
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