Hamlet and the Visual Arts, 1709-1900University of Delaware Press, 2002 - 405 Seiten This book examines the manner in which Shakespeare's Hamlet was perceived in the eighteenth and nineteenth centuries and represented in the available visual media. The more than 2,000 visual images of Hamlet that the author has identified both reflected the critical reception of the play and simultaneously influenced the history of the ever-changing constructed cultural phenomenon that we refer to as Shakespeare. The visual material considered in this study offers a unique perspective that complements biographical, critical, and theater history studies by showing how a broad spectrum of the literate and not-so-literate absorbed and responded to Shakespeare's works, not necessarily in academic libraries or at play performances, but in their homes, when browsing in print shops, when reading in coffee houses, or (a far rarer experience) when visiting an art gallery or exhibition. |
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Seite 173
... eighteenth - century representations . We also find that almost all of the visual representations are por- traits of identifiable actors . Characteristic of eighteenth - century portraits because it does attempt to indicate Hamlet's ...
... eighteenth - century representations . We also find that almost all of the visual representations are por- traits of identifiable actors . Characteristic of eighteenth - century portraits because it does attempt to indicate Hamlet's ...
Seite 190
... eighteenth century , there were three further ver- sions of the Play Scene . The first of these was an anonymous en ... eighteenth century for " histori- cal ” figures ( Marly 1982 , 52 ) . The other two eighteenth - century depictions ...
... eighteenth century , there were three further ver- sions of the Play Scene . The first of these was an anonymous en ... eighteenth century for " histori- cal ” figures ( Marly 1982 , 52 ) . The other two eighteenth - century depictions ...
Seite 279
... eighteenth and nineteenth centuries , from the latter part of the eighteenth century there was an increasing interest in Ophelia . A similar broadening of interest occurred in the visual arts , a point touched upon a number of times in ...
... eighteenth and nineteenth centuries , from the latter part of the eighteenth century there was an increasing interest in Ophelia . A similar broadening of interest occurred in the visual arts , a point touched upon a number of times in ...
Inhalt
Preface | 9 |
Hamlet and the Visual Arts 17091805 | 17 |
Hamlet and the Visual Arts 18051900 | 72 |
Urheberrecht | |
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actors already appeared artists attempt became body Booth Boydell chair chapter characters Charles Claudius Closet Scene Collection completed created death depicting drawing dress earlier early edition effect eighteenth engraving example exhibited extended face familiar figure flowers Folger Shakespeare Library follow foreground front further Fuseli Gallery Garrick Gertrude Ghost grave hair Hamlet hand head Henry holds Horatio illustrations images included Irving Italy John Kemble King later leans lithograph London look mentioned nineteenth century noted Ophelia original painting particular performance perhaps photograph picture placed plate play Play Scene Polonius portrait presented Press printed production published raised rear record represented reproduction right hand role Royal Sarah Bernhardt scene seated seems seen Shake shows skull stage stands suggestive sword theater Thomas tion turned viewer visual wears wood engraving York
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